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why Havan is most sacred ritual in Hinduism



Denigration of Hindu sacred symbols has become a fashion in Bollywood. Recent example is ‘Havan Kund maston ka jhund’, a song from the movie Bhag Milkha Bhag. 

Is Havan really a useless ritual that can be mocked by anyone in the name of freedom of expression or art? 

This article by Agniveer in Hindi explains that why Havan is most sacred ritual in Hinduism and why is it the duty of every human to perform Havan.

 This is to show how Havan is the source of all happiness and bliss in both material and spiritual world. Read this, know your roots..

हवन / यज्ञ/ अग्निहोत्र मनुष्यों के साथ सदा से चला आया है। हिन्दू धर्म में सर्वोच्च स्थान पर विराजमान यह हवन आज प्रायः एक आम आदमी से दूर है। दुर्भाग्य से इसे केवल कुछ वर्ग, जाति और धर्म तक सीमित कर दिया गया है। कोई यज्ञ पर प्रश्न कर रहा है तो कोई मजाक। इस लेख का उद्देश्य जनमानस को यह याद दिलाना है कि हवन क्यों इतना पवित्र है, क्यों यज्ञ करना न सिर्फ हर इंसान का अधिकार है बल्कि कर्त्तव्य भी है. यह लेख किसी विद्वान का नहीं, किसी सन्यासी का नहीं, यह लेख १०० करोड़ हिंदुओं ही नहीं बल्कि ७ अरब मनुष्यों के प्रतिनिधि एक साधारण से इंसान का है जिसमें हर नेक इंसान अपनी छवि देख सकता है. यह लेख आप ही के जैसे एक इंसान के हृदय की आवाज है जिसे आप भी अपने हृदय में महसूस कर सकेंगे..

हवन- मेरी आस्था

हिंदू धर्म में सर्वोपरि पूजनीय वेदों और ब्राह्मण ग्रंथों में यज्ञ/हवन की क्या महिमा है, उसकी कुछ झलक इन मन्त्रों में मिलती है-

अग्निमीळे पुरोहितं यज्ञस्य देवमृत्विजम्. होतारं रत्नधातमम् [ ऋग्वेद १/१/१/]

समिधाग्निं दुवस्यत घृतैः बोधयतातिथिं. आस्मिन् हव्या जुहोतन. [यजुर्वेद 3/1]

अग्निं दूतं पुरो दधे हव्यवाहमुप ब्रुवे. [यजुर्वेद 22/17]

सायंसायं गृहपतिर्नो अग्निः प्रातः प्रातः सौमनस्य दाता. [अथर्ववेद 19/7/3]

प्रातः प्रातः गृहपतिर्नो अग्निः सायं सायं सौमनस्य दाता. [अथर्ववेद 19/7/4]

तं यज्ञं बर्हिषि प्रौक्षन् पुरुषं जातमग्रतः [यजुर्वेद 31/9]

अस्मिन् यज्ञे स्वधया मदन्तोधि ब्रुवन्तु तेवन्त्वस्मान [यजुर्वेद 19/58]

यज्ञो वै श्रेष्ठतमं कर्म [शतपथ ब्राह्मण 1/7/1/5]

यज्ञो हि श्रेष्ठतमं कर्म [तैत्तिरीय 3/2/1/4]

यज्ञो अपि तस्यै जनतायै कल्पते, यत्रैवं विद्वान होता भवति [ऐतरेय ब्राह्मण १/२/१]

यदैवतः स यज्ञो वा यज्याङ्गं वा.. [निरुक्त ७/४]

इन मन्त्रों में निहित अर्थ और प्रार्थनाएं इस लेख के अंत में दिए जायेंगे जिन्हें पढकर कोई भी व्यक्ति खुद हवन करके अपना और औरों का भला कर सकता है. पर इन मन्त्रों का निचोड़ यह है कि ईश्वर मनुष्यों को आदेश करता है कि हवन/यज्ञ संसार का सर्वोत्तम कर्म है, पवित्र कर्म है जिसके करने से सुख ही सुख बरसता है.

यही नहीं, भगवान श्रीराम को रामायण में स्थान स्थान पर ‘यज्ञ करने वाला’ कहा गया है. महाभारत में श्रीकृष्ण सब कुछ छोड़ सकते हैं पर हवन नहीं छोड़ सकते. हस्तिनापुर जाने के लिए अपने रथ पर निकल पड़ते हैं, रास्ते में शाम होती है तो रथ रोक कर हवन करते हैं. अगले दिन कौरवों की राजसभा में हुंकार भरने से पहले अपनी कुटी में हवन करते हैं. अभिमन्यु के बलिदान जैसी भीषण घटना होने पर भी सबको साथ लेकर पहले यज्ञ करते हैं. श्रीकृष्ण के जीवन का एक एक क्षण जैसे आने वाले युगों को यह सन्देश दे रहा था कि चाहे कुछ हो जाए, यज्ञ करना कभी न छोड़ना.

जिस कर्म को भगवान स्वयं श्रेष्ठतम कर्म कहकर करने का आदेश दें, वो कर्म कर्म नहीं धर्म है. उसका न करना अधर्म है.

हवन- मेरा जीवन

मेरा जन्म हुआ तो हवन हुआ. पहली बार मेरे केश कटे तो हवन हुआ. मेरा नामकरण हुआ तो हवन हुआ. जन्मदिन पर हवन हुआ, गृह प्रवेश पर हवन हुआ, मेरे व्यवसाय का आरम्भ हुआ तो हवन हुआ, मेरी शादी हुई तो हवन हुआ, बच्चे हुए तो हवन हुआ, संकट आया तो हवन हुआ, खुशियाँ आईं तो हवन हुआ. एक तरह से देखूं तो हर बड़ा काम करने से पहले हवन हुआ. किस लिए? क्योंकि मेरी एक आस्था है कि हवन कर लूँगा तो भगवान साथ होंगे. मैं कहीं भी रहूँगा, भगवान साथ होंगे. कितनी भी कठिन परिस्थिति हों, भगवान मुझे हारने नहीं देंगे. हवन कुंड में डाली गयी एक एक आहुति मेरे जीवन रूपी अग्नि को और विस्तार देगी, उसे ऊंचा उठाएगी. इस जीवन की अग्नि में सारे पाप जलकर स्वाहा होंगे और मेरे सत्कर्मों की सुगंधि सब दिशाओं में फैलेगी. मैं हार और विफलताओं के सारे बीज इस हवन कुंड की अग्नि में जलाकर भस्म कर डालता हूँ ताकि जीत और सफलता मेरे जीवन के हिस्से हों. इस विश्वास के साथ हवन मेरे जीवन के हर काम में साथ होता है.

हवन- मेरी मुक्ति

हवन कुंड की आग, उसमें स्वाहा होती आहुतियाँ और आहुति से और प्रचंड होने वाली अग्नि. जीवन का तेज, उसमें डाली गयीं शुभ कर्मों की आहुतियाँ और उनसे और अधिक चमकता जीवन! क्या समानता है! हवन क्या है? अपने जीवन को उजले कर्मों से और चमकाने का संकल्प! अपने सब पाप, छल, विफलता, रोग, झूठ, दुर्भाग्य आदि को इस दिव्य अग्नि में जला डालने का संकल्प! हर नए दिन में एक नयी उड़ान भरने का संकल्प, हर नयी रात में नए सपने देखने का संकल्प! उस ईश्वर रूपी अग्नि में खुद को आहुति बनाके उसका हो जाने का संकल्प, उस दिव्य लौ में अपनी लौ लगाने का संकल्प और इस संसार के दुखों से छूट कर अग्नि के समान ऊपर उठ मुक्त होने का संकल्प! हवन मेरी सफलता का आर्ग है. हवन मेरी मुक्ति का मार्ग है, ईश्वर से मिलाने का मार्ग है. मेरे इस मार्ग को कोई रोक नहीं सकता.

हवन- मेरा भाग्य

लोग अशुभ से डरते हैं. किसी पर साया है तो किसी पर भूत प्रेत. किसी पर किसी ने जादू कर दिया है तो किसी के ग्रह खराब हैं. किसी का भाग्य साथ नहीं देता तो कोई असफलताओं का मारा है. क्यों? क्योंकि जीवन में संकल्प नहीं है. हवन कुंड के सामने बैठ कर उसकी अग्नि में आहुति डालते हुए इदं न मम कहकर एक बार अपने सब अच्छे बुरे कर्मों को उस ईश्वर को समर्पित कर दो. अपनी जीत हार उस ईश्वर के पल्ले बाँध दो. एक बार पवित्र अग्नि के सामने अपने संकल्प की घोषणा कर दो. एक बार कह दो कि अब हार भी उसकी और जीत भी उसकी, मैंने तो अपना सब उसे सौंप दिया. तुम्हारी हर हार जीत में न बदल जाए तो कहना. हर सुबह हवन की अग्नि में इदं न मम कहकर अपने काम शुरू करना और फिर अगर तुम्हे दुःख हो तो कहना. जिस घर में हवन की अग्नि हर दिन प्रज्ज्वलित होती है वहाँ अशुभ और हार के अँधेरे कभी नहीं टिकते. जिस घर में पवित्र अग्नि विराजमान हो उस घर में विनाश/अनिष्ट कभी नहीं हो सकता.

हवन- मेरा स्वास्थ्य

आस्था और भक्ति के प्रतीक हवन को करने के विचार मन में आते ही आत्मा में उमड़ने वाला ईश्वर प्रेम वैसा ही है जैसे एक माँ के लिए उसके गर्भस्थ अजन्मे बच्चे के प्रति भाव! न जिसको कभी देखा न सुना, तो भी उसके साथ एक कभी न टूटने वाला रिश्ता बन गया है, यही सोच सोच कर मानसिक आनंद की जो अवस्था एक माँ की होती है वही अवस्था एक भक्त की होती है. इस हवन के माध्यम से वह अपने अजन्मे अदृश्य ईश्वर के प्रति भाव पैदा करता है और उस अवस्था में मानसिक आनंद के चरम को पहुँचता है. इस चरम आनंद के फलस्वरूप मन विकार मुक्त हो जाता है. मस्तिष्क और शरीर में श्रेष्ठ रसों (होर्मोंस) का स्राव होता है जो पुराने रोगों का निदान करता है और नए रोगों को आने नहीं देता. हवन करने वाले के मानसिक रोग दस पांच दिनों से ज्यादा नहीं टिक सकते.

हवन में डाली जाने वाली सामग्री (ध्यान रहे, यह सामग्री आयुर्वेद के अनुसार औषधि आदि गुणों से युक्त जड़ी बूटियों से बनी हो) अग्नि में पड़कर सर्वत्र व्याप्त हो जाती है. घर के हर कोने में फ़ैल कर रोग के कीटाणुओं का विनाश करती है. वैज्ञानिक शोध से पता चला है कि हवन से निकलने वाला धुआँ हवा से फैलने वाली बीमारियों के कारक इन्फेक्शन करने वाले बैक्टीरिया (विषाणु) को नष्ट कर देता है. अधिक जानकारी के लिए इस लिंक पर जाइए- http://articles.timesofindia.indiatimes.com/2009-08-17/health/28188655_1_medicinal-herbs-havan-nbri

विश्व स्वास्थ्य संगठन (WHO) के अनुसार दुनिया भर में साल भर में होने वाली ५७ मिलियन मौत में से अकेली १५ मिलियन (२५% से ज्यादा) मौत इन्ही इन्फेक्शन फैलाने वाले विषाणुओं से होती हैं! हवन करने से केवल ये बीमारियाँ ही नहीं, और भी बहुत सी बीमारी खत्म होती हैं, जैसे-

१. सर्दी/जुकाम/नजला

२. हर तरह का बुखार

३. मधुमेह (डायबिटीज/शुगर)

४. टीबी (क्षय रोग)

५. हर तरह का सिर दर्द

६. कमजोर हड्डियां

७. निम्न/उच्च रक्तचाप

८. अवसाद (डिप्रेशन)

इन रोगों के साथ साथ विषम रोगों में भी हवन अद्वितीय है, जैसे

९. मूत्र संबंधी रोग

१०. श्वास/खाद्य नली संबंधी रोग

११. स्प्लेनिक अब्सेस

१२. यकृत संबंधी रोग

१३. श्वेत रक्त कोशिका कैंसर

१४. Infections by Enterobacter Aerogenes

१५. Nosocomial Infections

१६. Extrinsic Allergic Alveolitis

१७. nosocomial non-life-threatening infections

और यह सूची अंतहीन है! सौ से भी ज्यादा आम और खास रोग यज्ञ थैरेपी से ठीक होते हैं! सबसे बढ़कर हवन से शरीर, मन, वातावरण, परिस्थितियों और भाग्य पर अद्भुत प्रभाव होता है. घर परिवार, बच्चे बड़े सबके उत्तम स्वास्थ्य, आरोग्य और भाग्य के लिए यज्ञ से बढ़कर कुछ नहीं हो सकता! दिन अगर यज्ञ से शुरू हो तो कुछ अशुभ हो नहीं सकता, कोई रोग नहीं हो सकता.

हवन- मेरा सबकुछ

यज्ञ/हवन से सम्बंधित कुछ मन्त्रों के भाव सरल शब्दों में कुछ ऐसे हैं

– इस सृष्टि को रच कर जैसे ईश्वर हवन कर रहा है वैसे मैं भी करता हूँ.

– यह यज्ञ धनों का देने वाला है, इसे प्रतिदिन भक्ति से करो, उन्नति करो.

– हर दिन इस पवित्र अग्नि का आधान मेरे संकल्प को बढाता है.

– मैं इस हवन कुंड की अग्नि में अपने पाप और दुःख फूंक डालता हूँ.

– इस अग्नि की ज्वाला के समान सदा ऊपर को उठता हूँ.

– इस अग्नि के समान स्वतन्त्र विचरता हूँ, कोई मुझे बाँध नहीं सकता.

– अग्नि के तेज से मेरा मुखमंडल चमक उठा है, यह दिव्य तेज है.

– हवन कुंड की यह अग्नि मेरी रक्षा करती है.

– यज्ञ की इस अग्नि ने मेरी नसों में जान डाल दी है.

– एक हाथ से यज्ञ करता हूँ, दूसरे से सफलता ग्रहण करता हूँ.

– हवन के ये दिव्य मन्त्र मेरी जीत की घोषणा हैं.

– मेरा जीवन हवन कुंड की अग्नि है, कर्मों की आहुति से इसे और प्रचंड करता हूँ.

– प्रज्ज्वलित हुई हे हवन की अग्नि! तू मोक्ष के मार्ग में पहला पग है.

– यह अग्नि मेरा संकल्प है. हार और दुर्भाग्य इस हवन कुंड में राख बने पड़े हैं.

– हे सर्वत्र फैलती हवन की अग्नि! मेरी प्रसिद्धि का समाचार जन जन तक पहुँचा दे!

– इस हवन की अग्नि को मैंने हृदय में धारण किया है, अब कोई अँधेरा नहीं.

– यज्ञ और अशुभ वैसे ही हैं जैसे प्रकाश और अँधेरा. दोनों एक साथ नहीं रह सकते.

– भाग्य कर्म से बनते हैं और कर्म यज्ञ से. यज्ञ कर और भाग्य चमका ले!

– इस यज्ञ की अग्नि की रगड़ से बुद्धियाँ प्रज्ज्वलित हो उठती हैं.

– यह ऊपर को उठती अग्नि मुझे भी उठाती है.

– हे अग्नि! तू मेरे प्रिय जनों की रक्षा कर!

– हे अग्नि! तू मुझे प्रेम करने वाला साथी दे. शुभ गुणों से युक्त संतान दे!

– हे अग्नि! तू समस्त रोगों को जड़ से काट दे!

– अब यह हवन की अग्नि मेरे सीने में धधकती है, यह कभी नहीं बुझ सकती.

– नया दिन, नयी अग्नि और नयी जीत.

हे मानवमात्र! हृदय पर हाथ रखकर कहना, क्या दुनिया में कोई दूसरी चीज इन शब्दों का मुकाबला कर सकती है? इस तरह के न जाने कितने चमत्कारी, रोगनाशक, बलवर्धक और जीत के मन्त्रों से यह हवन की प्रक्रिया भरी पड़ी है. जिंदगी की सब समस्याओं का नाश करने वाली और सुखों का अमृत पिलाने वाली यह हवन क्रिया मेरी संस्कृति का हिस्सा है, धर्म का हिस्सा है, आध्यात्म का हिस्सा है, यह सोच कर गर्व से सीना फूल जाता है. हवन मेरे लिए कोई कर्मकांड नहीं है. यह परमेश्वर का आदेश है, श्रीराम की मर्यादा की धरोहर है. श्रीकृष्ण की बंसी की तान है, रण क्षेत्र में पाञ्चजन्य शंख की गुंजार है, अधर्म पर धर्म की जीत की घोषणा है. हवन मेरी जीत का संकल्प है, मेरी जीत की मुहर है. मैं इसे कभी नहीं छोडूंगा.

अग्निवीर घोषणा करता है कि अब हम हर घर में हवन करेंगे और करवाएंगे. न जाति का बंधन होगा और न मजहब की बेडियाँ. न रंग न नस्ल न स्त्री पुरुष का भेद. अब हर इंसान हवन करेगा, सुखी होगा!

जो कोई भी व्यक्ति- हिन्दू, मुस्लिम, सिख, ईसाई, बौद्ध, यहूदी, नास्तिक या कोई भी, हवन करना चाहता है, संकल्प करना चाहता है, वह यहाँ इस लिंक पर जाकर मंगा सकता है। कोई जाति धर्म- मजहब या लिंग का भेद नहीं है।

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Ram Setu. A truth


Rama’s_bridge.jpghttp://www.google.com/images?q=ramsetu&rls=com.microsoft:en-us:IE-SearchBox&oe=UTF-8&rlz=1I7TSNB_enUS357US357&um=1&ie=UTF-8&source=univ&ei=yXuHTJGhBMPwngf1kuHwCw&sa=X&oi=image_result_group&ct=title&resnum=1&ved=0CCUQsAQwAA&biw=999&bih=411

SOME TIMES BY ; SANTOSH BHATT

Rama's Bridge. A subset of Landsat 5 TM true c...

Rama’s Bridge. A subset of Landsat 5 TM true color composite of Rama’s bridge or Ram Setu (referred by British cartographers as Adam’s Bridge). Path 142 Row 54; Bands 742 (RGB); Resolution 30 meter. Original image acquired on 6 February, 1988 at 4:42:00 GMT. (Photo credit: Wikipedia)

 

 

Rama’s_bridge.jpg

Ram Setu Bandh ( Bridge ) and Lord Rama took birth at the end of Trta Yuga and Begining of Dwapar Yuga some 8,64000 Plus Krishna era or Kaliyuga i.e 7571 years ( 5561 BC +2010 AC = 7571 ) Ago Hinduism: Age of the earth according to Vedic chronology and Dating of Maha Bharat and Krishna.

The Scientific Dating of the Mahabharat War 4th Dec. 7571

These are satelite Images of Ram Setu Bandh taken by NASA and ISRO http://www.google.com/images?q=ramsetu&rls=com.microsoft:en-us:IE-SearchBox&oe=UTF-8&rlz=1I7TSNB_enUS357US357&um=1&ie=UTF-8&source=univ&ei=yXuHTJGhBMPwngf1kuHwCw&sa=X&oi=image_result_group&ct=title&resnum=1&ved=0CCUQsAQwAA&biw=999&bih=411

The bridge was first mentioned in the ancient Sanskrit epic Ramayana of Valmiki[Ramayana]. The western world first encounters it in “historical works in the 9th century” by Ibn Khordadbeh in his Book of Roads and Kingdoms (ca. 850 CE), referring to it is Set Bandhai or “Bridge of the Sea”.

[7] Later, Alberuni described it.

The name Rama’s Bridge or Rama Setu (Sanskrit; setu: bridge) was given to this bridge of shoals in Rameshwaram, as Hindu legend identifies it with the bridge built by the Vanara (monkey-men) army of Rama , which he used to reach Lanka and rescue his wife Sita from the Rakshasa king, Ravana, as stated in the Sanskrit epic Ramayana.

[8] The sea separating India and Sri Lanka is called Sethusamudram “Sea of the Bridge”. Maps prepared by a Dutch cartographer in 1747, available at the Tanjore Saraswathi Mahal Library show this area as Ramancoil, a colloquial form of the Tamil Raman Kovil (Rama’s Temple)

[9] Another map of Mogul India prepared by J. Rennel in 1788 retrieved from the same library called this area the area of the Rama Temple

[10] Many other maps in Schwartzberg’s historical atlas[11][12] and other sources call this area with various names like Koti, Sethubandha and Sethubandha Rameswaram along with others.

[13][14][15][16] Valmiki’s Ramayana attributes the building of the bridge to Lord Rama in verse 2-22-76.[17]

The earliest map that calls this area Adam’s bridge was prepared by a British cartographer in 1804, probably referring to an Islamic legend, Islamic apeasing was conspiracy of British and Moslims to steal any thing and every thing good of others and Renamed with fake stories.

According to which Adam used the bridge to reach Adam’s Peak in Sri Lanka, where he stood repentant on one foot for 1,000 years, leaving a large hollow mark resembling a footprint. Both the peak and the bridge are named after this legend.[2][8][18]

Indian Historians: Notorious or Ignorant

More than a hundred years ago, when History of India was written under British influence, there was no room for Ramayan and Mahabharat as historical events. They were epics and of no importance for students. It is surprising that India is one country whose history has been written by its enemies and the whole nation yet follows it.

No doubt the history was a strategic attack on Indian civilization and culture that paved way for western culture into the nation. With time, truth is evolving back. Science of India that was denied is now accepted through western influence.

The myths are suddenly appearing to be history. And one such history is Ram Sethu. Since, it is a history of Hindus, politics and literates are not ready to accept it as truth.

If they are so intelligent, let them go through this article. I challenge them through few questions mentioned in bold in this article.

Let us have a background of what politicians and historians (British written history literates) say about Ram Sethu.

Historian B.D. Chattopadhyay of Jawaharlal Nehru University says the archaeological record says nothing of the sort.

There is no evidence of a human presence in the subcontinent, he says, before roughly 250,000 to 300,000 years ago. It is generally believed man’s hominid ancestors did not leave their African home until about two million years ago.

Very important point here is that Mr. Chattopadhyay has forgot to note that what is said of hominid ancestors is also a belief – a belief generated by Western people and followed by Mr. Chattopadhyay – not Truth, not Science.

Surely Ramayan, if a belief is a belief of eastern people – Indian People. Mr. Chattopadhyay is trying to introduce a belief clash.

Why Mr. Chattopadhyay wants to defy a true instance with a false belief? Does Mr. Chattopadhyay want to say that Lord Rama is deep in the heart of billions of Indians to this date without any truth? Can false beliefs find so deep root in society and for so long time?

I read a similar comment from N Ramanujam. Head, Post Graduate Department of Geology and Research Centre, V.O. Chidambaram College, Tuticorin.

He said that Adam’s Bridge is only a chain of shoals between the Palk Strait and the Gulf of Mannar, created by sedimentation owing to long shore currents.

Explaining the bridge’s geological history, he said both the Palk Strait and the GoM were once part of the Cauvery basin, which was formed during the separation of India and Antarctica about 70 million years ago during the `Gondwana period.’

They were combined till a ridge was formed in the region owing to thinning of earth’s crust. The development of this ridge augmented the coral growth in the region.

“The coral cover acted as a `sand trapper’ leading to the formation of Rameswaram Island,” Dr. Ramanujam said.

The long shore currents on the southern side of island created a discontinuous shoreline eastward from Dhanuskodi to Talaimannar, which’s the Adam’s Bridge.

Let us see what Mr. Ramanujam has said:

How many such Chain of Shoals bridging two nations is known to Dr. Ramanujam? Is there any other Geographical construct anywhere in the world – deposits of shoals along the coast doesn’t say that it bridges two land pieces?

Again Mr. Ramanujam is taking support of another belief to beat the truth. He is talking of Gondwana theory, a theory that has no concrete proof – an imaginary thesis with some scientific logic behind it. Hundreds of such theory can be generated based on Geographical principles, but that do not defy a concrete reason of existence.

Why did Gondwana theory leave a trace of only One Bridge on the Globe?

Very important – Ramanujam is unable to change the names of two places as Dhanuskodi and Talaimannar which are not English names as they already exist, and hence successfully accepts a controversial English name of Adam’s Bridge instead of Ram Setu. Mr. Ramanujam could very easily put his theory with the name of the Bridge still as Ram Setu. But he ends up in saying that is Adam’s Bridge – WHY?

Why did Mr. Ramanujam accept Adam’s theory to be correct? Does Mr. Ramanujam want to support that Adam and Eve existed and Lord Rama didn’t exist?

If yes, then Adam and Eve existed in India alone as the bridge is in India – Again controversy – as Manu Shatrupa would be more known names in this region and analogy to Adam and Eve. Moreover, acceptance of Adam’s Bridge is acceptance that it was build by Adam. Actually, the logic fits opposite to them – how can the first man on earth build a bridge of that volume? He would be immature at first place, he is alone at second place and why will he ever endeavor to bridge the sea?

Though the only evidence is with India, no logic fits to the name as ‘Adam’s Bridge’. This clearly reflects the Christian mentality trying to impose and kill Hindu greatness. And poor Historians of India, brought up in the education system of English, unable to break the boundary of false arrogance of being high literary, seems to be helplessly saying that Ram Setu Bandh is not historical.

They cannot even hold a petty vision that humans have build wall of length of Great wall of China that is visible from even Satellite; what would stop humans to build Ram Setu Bandh and what is surprising or opposing to the fact that it was built as a part of Ramayan as a history.

Does Mr. Ramanujam want to say that if Adam built it, it is history, but if Lord Rama built it it is a Myth and a natural construct?

Professor Dupey says that as per Archeological survey, remains from Ayodhya controversial site has found temple remains whose age do not go beyond 600 B.C.

Mr. Dubey: Do you want to say that if I build a temple today, you will conclude that Lord Rama existed since today and not before?

Temples are build and rebuild and their age can only say about the age of the temple and the age of the personality whose worship is done in the temple.

We need to understand certain points here, modern Archeology and Science is far different than what used to exist in ancient India. For instance, old temples of India, yet existing, were built on a different technology than what we find in modern civil engineering.

This doesn’t mean that ancient archeology was not having mathematics maturity – in fact, if we look at Temples of India, Jagannath Puri temple for instance, we do not find any iron or pillars used to build the temple – yet it stands from hundreds of years to a height of around 200 ft.

Assume that Puri temple would have been razed some 10000 years ago, what technology or archaeological proofs would be derived to conclude that the temple was 200 ft high?

Similarly, the Ram Setu bandh has seen ages, and that too not on land, but in sea – a turbulent sea. The major of the mass is already washed off – a question to be pondered is that what remains is just a trace of the actual bridge – not the whole bridge as it was.

Ramayan mentions that the bridge was built over the sea water, with support of Sea – this implies that there was no supporting archeology involved in constructing the bridge – this is easily supported by the failure of Archeology ground to trace such constructs under ground. Yet the presence of shoals below the bridge and their type indicate that they cannot be found in sea in the manner it exists at Ram Sethu.

Now, Mr. Dubey accepts that the age of Shoals found at Ram Sethu goes around 1 million years. He misguides people, as he is a literate of History written by British, that Ramayan was first written around 10000 years ago and not 1 million years ago. Mr. Dubey, here is a simple calculation for you to further investigate:

The age of the bridge as per scientific dating comes to around 1 million years. As per Hindu scriptures, Ramayan took place in ‘Treta Yug’.

Calculating by Hindu scriptures (Treta Yug with a tenure of 12,96,000 years,

 Dwapar Yug with a tenure of 8, 64,000 years,

Kali Yug has just seen 12,013 years): 

We know that Treta Yug was before Dwapar Yug.

So, one thing is quite evident. The Bridge was constructed at least 8,64,000 years ago, i.e., 0.86 million years ago, which is pretty close to 1 million years.

Treta Yuga itself is 1.3 million years of age.

How is that scientific age of the shoals and the Hindu calendar age of Lord Rama matches exactly? Will Mr. Dubey and other historians dare to come out of the falsehood of our enemy teachings and try to explore some mathematics of Hindus before they say make such stupid comparison of scientific ages?

2. Analysis of Valmiki Ramayan over RAM SETHU

Now, let us go into the Valmiki Ramayan and dig out more history out of it. Let us be sure that if we want to dig history, we have to touch Valmiki Ramayan alone and not any other Ramayan, because all other Ramayan are written with purpose of promoting Ramayan and recording the event.

Here are certain points from Valmiki Ramayan to be considered:

1. There is no other book than Ramayan that has put into scriptures describing such geographical constructs.

2. Ramayan says that it was build under the supervision of an Architect Nala – son of the greatest Architect of all times ‘Vishwakarma’ (Note: ‘Vishwakarma’ is a designation given to the greatest archeologist and builder of the era in ancient Hindu society, a similar practice as we have in modern world of ‘Nobel Prize’). Thus, the book makes sure that such a bridge can be constructed by only architect of highest skill.

Why do the politicians mislead the nation by saying that Lord Rama was a Superman who build the bridge, when Ramayan clearly says that it is not Lord Rama but the Architect Nala and Neela who build the bridge?

3. The bridge was (Ramayan mentions the bridge constructed in 5 days: 14 + 20 + 21 + 22 + 23 = 100 yojans) 100 Yojans long and 10 Yojans wide. Data to be considered here:

4. The data starts from 14 yojans as first day, which is less than other day’s data, confirming a logic that first day as a beginning had taken time to gear up all Vanars. Second day it took momentum and rest of the days the distance of the bridge constructed is found to be nearly same. A logical conclusion of this sort is made only when the event have occurred in reality.

Why did Valmiki thrust his imagination to get the bridge completed only in 5 days? He could have well increased the number of days to help people of today understand it more logically. Or he could have even reduced the number of days to highlight the power of Lord Rama.

5. The data that more than a crore (10 million) Vanaras were involved in building it, seems to be logical to fit to support the volume of the bridge constructed. Now, the count may not be exact, but surely Valmiki wants to say that there was a huge task force working for the bridge.

Valmiki could have easily shown Lord Rama winning the battle with few hundred Vanars as his soldiers – why 10 million?

6. The width vs. length ratio also looks scientific and supportive to help carry such a huge mass across the bridge. The bridge is wide enough so as to withstand the weight of crores of Vanaras and allow passage to all of them.

7. The bridge is said to be built in 5 days, giving an idea that bridge had to be built in a very short period of time, failing which the Opponent King Ravana would have come to know about it and would have attacked never allowing the bridge to be constructed. Thus, the period fits the war logic.

8. The bridge is said to be constructed by around a crore Vanaras, the count fits the possibility of getting the bridge constructed in such a small time – a huge task force doing it. Though, the methodology of construction is not elaborated and shortened by mentioning that various ‘Yantras’ or Machinery were used to build the bridge, but it gives an indication that machinery were applied to do the task. It should be a subject to study about our past. Valmiki Ramayan: Yuddha Kanda, 22.60:

‘Hastimatran Mahakayah Pashananshch Mahabalah

Parvatanshch Samutpatya Yantraiyah Parivahanti Cha’

What was the need to mention that certain Machineries were used for constructing the bridge? How did an ancient man imagine of machineries?

9. Very interestingly, Rama is not said to have built the bridge and the point clarifies that building it was the skill of an architect – Nala and not Rama or Hanuman, the hero of the book. Had Ramayan been a fantasy of Maharishi Valmiki, he would easily fantasized and written something like Rama built a bridge of Arrows as Rama was the hero in fantasy. But it is not so, making one think that it is not fantasy writing.

Why didn’t he tell the world that it was Lord Rama who builds it and give the credit to someone else of this great happening? After all, Lord Rama was the hero of his imagination.

10. Ramayan also depicts the materials used in making the bridge clarifying that it was a possibility, but not under imagination of human capacity under technology support of today.

11. Seeing the time constraint, it looks logical to have Vanars who are brisk in their movement collecting materials and fitting it in place as directed.

12. The places mentioned in Ramayan exactly matches to the current location of the bridge, thus confirming that the book is not a story.

13. The length of the bridge matches to what is mentioned in Ramayan.

So, looking at Ramayan alone one can conclude that the Bridge is not a natural construct. Having proven on the point of Bridge alone that Ramayan is not a book of myth, but a book of History, it straight away brings the truth that Maharishi Valmiki was the first Historian known to man kind

3. Current Findings on RAM SETHU and their analysis

However, we need to further analyze current findings as well.

The first thing to consider is that under the current scientific evaluation, the bridge is proved to have a chain of shoals is 30 to 35 km long in Palk Street, and its unique curvature confirms that it is man made, and is not a Geographical Construct at all.
Archeological findings have proven that first signs of human inhabitants in Sri Lanka date back to primitive age of about 1,750,000 years of the same era as Ramayan (‘Treta Yug’, which lies exactly mid way to above number).
Sri Lankan Government has done Archeological Survey and found some very interesting data:
A mountain covered completely with herbal plants of same type that is found in Himalayas. There is no other mountain in whole Sri Lanka of that kind.

This stands as an evidence that the mountain was brought by Lord Hanuman to Sri Lanka – How was this done is subject to study? To my knowledge, Sri Yantra of Hindu myth (or may be similar constructs) is actually a anti-gravitation theory which was know to our Rishis in those days and these things were possible only by such means. Someday,

science will surely understand this.
Ashok Vatika is traced with complete Greenery and while soil. With a gap of hardly 10-20 meters, soil suddenly turns to be black and burnt and it stretches to miles. This highly unnatural and it stands to prove that Lord Hanuman had burnt Lanka.
There are many other proofs that have come up, but I consider these two points as strong as the Bridge itself.

Can our Historians consult the British again and create more theory around these evidences, so that they can be included in History books against Ramayan?

From Ayodhya to Sri Lanka, most of the places still hold the names as it was around a million years ago. Even the devastating Muslim invasion could not eliminate the names. Ayodhya, Chitrakut, Panchvati, Rameswaram, Lanka – all the names are as mentioned in the book. Rameswaram is the place where Lord Rama worshipped Lord Shiva and established the idol ‘Shiv Lingam’, exist to date as a place of worship.

Ramayan talks about Mahendragiri Mountain as the highest point and best point to watch across the sea. Geographically, it is proven that Mahendragiri is the highest mountain in that area and gives a visibility of around 60 km range.
Why don’t these politicians and historians say how are these mentioned in Ramayan? Did these places pre-existed and Valmiki traveled a lot to create this story? Or these places were named after people read Valmiki Ramayan?

The more logical answer is, these places pre-existed and the event took place which Valimiki wrote as poetic history.

Another important fictitious topic of Ramayan is ‘Pushpak Viman’ – a vehicle that could take aerial route to travel. No doubt the Pusphak Viman no more exists, but it cannot be fantasy as we have similar air planes telling about it. What challenges the concept of Viman is the understanding that technology has developed in current era and people were devoid of such high-tech products in ancient India. But then Ramayan gives a background of Pushpak Viman in terms of how it was acquired, thereby making one think that it was not a mere fantasy. It should not be expected from the book Ramayan to describe the details of Pushpak Viman creation. The question that should be asked is where the actual scientific data of Hindu researches about building the Pushpak Viman got lost – and true history of India and world will evolve.
Do our Historians want to say that if Pushpak Viman existed then Valmiki would have mentioned how it was built? How many history book of today contains the scientific methodology of building machinery – why don’t our historians first do this?

What seems to be mythical to the Historians and Science is the concept of Monkey building the Bridge. But they forget to expand the vision on this, purely because of their biased attitude to defeating Hindu faith. We all know now that there are many species that do not exist now and the largest known to human is Dinosaur. Why can’t different specie exist around 1 million years ago with the capacity of human intelligence and monkey like physical structure – something that was called as Vanars in those days? Science do not forget to mention that man evolved out of monkeys – but defeats Hindus to consider that Vanars were the in between form of the evolution the evidence present in those days. But no view would consider this, simply because then the religion of peace would win then. Yet, there is no doubt that evolution theory is again a controversial theory existing and taught to people, without any scientific evidence around it.
No historian can deny the fact that there is a coincidence and only one coincidence between a reality and its occurrence in a book called Ramayan. Instead, of now having set a direction to find out how such thing took place, these catholic followers are simply applying all forces and theories to falsify a fact.
Science is now saying that the age of earth is around 4 billion years – can science produce a history of 4 billion years with concrete proof – no one asks this question and believes science. No one knows how many generation of humanity evolved and got destroyed since the earth was formed. No one knows when the earth was exactly formed. Actual fictions and stories lie on this side as well – but our dear Historians do not have the courage to flatter about it.

I do not understand, if such an amazing construct is not within the reach of modern science, why can’t this bridge be put as one of the Wonders? Why can’t it be listed under World Heritages (yet maintain it as Hindu sacred place)? Instead, the anti-Hindu moves are motivating Congress to destroy the bridge.

If the destruction of a 500 year old Babri Masjid is not tolerable and it created havoc in the world, why is million year old constructs not protected? Thousands of Hindu temples have been destroyed and are being destroyed to date in Kashmir, Pakistan, Bangladesh, Malaysia, and so many other countries. Neither media nor politics talks about it. Why shouldn’t Hindus stand now to protect Ram Sethu, which is a direct proof of One million year old history of India?

Read more: http://www.articlesbase.com/religion-articles/ram-sethu-proof-of-great-science-of-ancient-past-499823.html#ixzz0ywTx2q1O
Under Creative Commons License: Attribution

Read more: http://www.articlesbase.com/religion-articles/ram-sethu-proof-of-great-science-of-ancient-past-499823.html#ixzz0ywTLjllv

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સ્વસ્તિકના ચિહ્નને હડઘૂત કરનારા અમેરિકનો સમજી લે સ્વસ્તિકનું વિશ્વ્વવ્યાપી મહત્ત્વ
હોટલાઇન – ભાલચંદ્ર જાની

સુખ અને સમૃદ્ધિના પ્રતિક સમાન સ્વસ્તિકને ઘરના બારણે, ઉંબરે કે આંગણામાં દોરવામાં આવે છે. તેમજ કોઈ પણ શુભ પ્રસંગ કે મંગળ પ્રસંગમાં પણ સ્વસ્તિક દોરવામાં આવે છે. ભારતીય પરંપરા પ્રમાણે સ્વસ્તિકને મંગળ અને સૌભાગ્યનું પ્રતિક ગણવામાં આવે છે. અમેરિકામાં હમણાં એક નવો વિવાદ શરૂ થયો છે. સ્વસ્તિકના ચિહ્ન ધરાવતા ટીશર્ટ, જ્વેલરી કે બીજું કોઈ વસ્ત્ર વેંચો અથવા પહેરીને ફરો તો પોલીસના ભંવા ઊંચા ચઢી જાય છે. સપ્તાહપૂર્વે અમેરિકામાં આવી એક ઘટના બની તેથી હિન્દુ સમાજમાં રોષની લાગણી ફેલાઈ હતી. બન્યું એવું કે બુ્રકલિનના એક સ્ટોરમાં સ્વસ્તિકના પ્રતિક જેવી ઇયરંિગ્સ વેંચાતી હતી તેની સામે સ્થાનિક સત્તાવાળાઓએ વિરોધ નોંધાવ્યો હતો. આ ઇયરંિગ્સ નાઝીઓનું પ્રતીક નથી પરંતુ પ્રાચીન ભારતીય પવિત્ર ચિહ્ન છે એવી સ્પષ્ટતા છતાં સ્થાનિક સત્તાવાળાઓએ ન્યૂયોર્કના આ સ્ટોરને સ્વસ્તિકવાળા ઇયરંિગ્સ નહીં વેચવાની તાકીદ કરી હતી. ન્યૂયોર્ક સિટિ-કાઉન્સિલમેન સ્ટીવ લેવિને બુ્રકલીનમાં આ સ્ટોરની મુલાકાત લઇને એની માલિક યંગ સૂક કીમને તાકીદ કરી હતી કે આ ઇયરંિગ્સ વેચવાં નહીં. પેલી દુકાનમાલિકણ તો ડઘાઈ જ ગઈ. માત્ર એક દિવસ પહેલાં ન્યૂયોર્કના પોલિટિશિયન અને ધારાશાસ્ત્રીઓએ ફોક્સન્યૂઝ ડૉટ કોમને કહ્યું હતું કે આ ઇયરંિગ્સ એન્ટિ-સેમિટિઝમ યહૂદી વિરોધી છે અને ન્યૂયોર્ક, ન્યૂ જર્સી અને મેનહટ્ટનના કાઉન્સિલ પ્રમુખ સ્કોટ સ્ટીંગરે કહ્યું હતું કે આ ઇયરંિગ્સ વેચવાનું તાબડતોબ બંધ થવું જોઇએ. આ ઇયરંિગ્સનું વેચાણ ચાલુ રહે તો એ ‘હેટ ક્રાઇમ’ (ધિક્કારની લાગણી ફેલાવવાનો ગુનો ) ગણાશે. ખરું કહેવાય! કોઈના ધાર્મિક પ્રતિક સામે આટલો સજ્જડ વિરોધ. યુરોપ-અમેરિકામાં સ્વસ્તિકના ચિહ્નને જુલ્મી હિટલર સાથે સંકળાયેલું પ્રતિક ગણીને તેનો વિરોધ થાય છે એ તો જાણે સમજ્યા. પરંતુ વિશ્વ્વના સૌથી પ્રાચીન, સનાતન, મહાન ધર્મ હંિદુઓમાં સ્વસ્તિકનું મહત્ત્વ ખૂબ ઊંચું છે એ ભૂલાવું ન જોઈએ. સ્વસ્તિક એ વિશ્વનું સૌથી પ્રાચીન પ્રતીક છે. છેલ્લા પાંચ હજાર કરતાં વઘુ વર્ષોથી તે સનાતન હિન્દુ ધર્મનું પણ એક પ્રતીક છે. સંસ્કૃત શબ્દ ‘સ્વેસ્તિકા’ ઉપરથી સ્વસ્તિક નામ પડ્યું છે. ૐ સ્વસ્તિન ઈન્દ્રો વૃઘ્ધશ્રવાહાઃ                                             સ્વસ્તિન ઃ પૂષા વિશ્વવેદા ઃ                                             સ્વસ્તિનસ્તાર્ક્ષ્યો અરિષ્ટનેમિ ઃ                                             સ્વસ્તિનો બૃહસ્પતિર્દધાતુ. હિન્દુઓના કોઈપણ શુભ કાર્યના પ્રારંભે આ સ્વસ્તિ મંત્રનું પઠન કરવામાં આવે છે. આ મંત્રનો અર્થ છે કીર્તિવાન ઈન્દ્રદેવ અમારું  સદા કલ્યાણ કરો, સુવિજ્ઞ સૂર્યનારાયણ અમારું સદાય શ્રેય કરો, સુદર્શન ધારી વિષ્ણુ ભગવાન અને ગરૂડજી અમારું શ્રેય કરો તથા ગુરુદેવ બૃહસ્પતિ અમારું કલ્યાણ કરો. સુખ અને સમૃદ્ધિના પ્રતિક સમાન સ્વસ્તિકને ઘરના બારણે, ઉંબરે કે આંગણામાં દોરવામાં આવે છે. તેમજ કોઈ પણ શુભ પ્રસંગ કે મંગળ પ્રસંગમાં પણ સ્વસ્તિક દોરવામાં આવે છે. ભારતીય પરંપરા પ્રમાણે સ્વસ્તિકને મંગળ અને સૌભાગ્યનું પ્રતિક ગણવામાં આવે છે. તેમજ સ્વસ્તિકને સૂર્ય અને વિષ્ણુનું ચિહ્ન પણ માનવામાં આવે છે. ૠગ્વેદમાં શાંતનુનો  ઉલ્લેખ કરવામાં આવ્યો છે. શાંતનુ સ્વસ્તિકના દેવતા છે. શાસ્ત્રો અનુસાર આ દેવતાને મનોવાંછિત ફળ આપનાર અને સંપૂર્ણ જગતનું કલ્યાણ કરનાર અને દેવોને અમરત્વ પ્રદાન કરવાવાળા દેવતા ગણવામાં આવે છે. ‘સિઘ્ધાન્તસાર’ પ્રમાણે સ્વસ્તિકને બ્રહ્માંડનું પ્રતિક  માનવામાં આવે છે. સ્વસ્તિકના મઘ્ય ભાગને વિષ્ણુ ભગવાનની નાભિ, ચારે રેખાઓને બ્રહ્માજીના ચાર મુખ, ચાર હાથ અને ચાર વેદો સાથે સરખાવવામાં આવે છે. દેવતાઓની આસપાસમાં જે આભામંડળ રચાય છે તે સ્વસ્તિક આકાર હોવાના કારણે સ્વસ્તિકને શાસ્ત્રોમાં શુભ માનવામાં આવે છે. તર્કથી પણ આ વાત સાબિત કરી શકાય છે. શ્રૃતિ, અનુભૂતિ તથા યુક્તિ આ ત્રણેય સ્વસ્તિકનું સમર્થન કરે છે જેનાથી પ્રયાગરાજમાં થતા સંગમ જેવો સંગમ રચાય છે. દિશા મુખ્યત્વે ચાર છે. સ્વસ્તિકની ઊભી અને આડી રેખા દોરીને જે ધન (+) કે વત્તાકાર જેવો બને છે. તે મુખ્ય ચાર દિશાઓ માનવામાં આવે છે, તેથી જ સ્વસ્તિકને મંગળ અને કલ્યાણનું પ્રતિક માનવામાં આવે છે. તેથી જ તે દેવતાઓના તેજના રૂપમાં શુભત્વ દેનાર છે તેમ મનાય છે. એ અદ્દશ્ય શક્તિઓની સહાયતા પ્રાપ્ત કરવા માટે એ પથ્થરયુગના માનવીઓ વિવિધ પ્રકારના પ્રતીકો મંત્રીત યંત્રો, તાવિજ, માદળિયા વગેરેનો ઉપયોગ કરતા. તેઓ જે પ્રતીકોનો ઉપયોગ કરતા તે પ્રતીકોમાં એક પ્રતીક ‘સ્વસ્તિક’ રહેતો હતો. આ બાબતોને ઘ્યાનમાં રાખીને વિશ્વ વિખ્યાત ઈતિહાસકાર એચ.જી.વેલ્સે પોતાના એક પુસ્તકમાં એક ખાસ નૂકતેચીનીમાં લખ્યું છે કે ‘‘આ નાનકડું પ્રતીક વિશ્વભરમાં કોઈને કોઈ રીતે પ્રચલિત છે’’ આથી આગળ વધતા વેલ્સ જણાવે છે કે વિશ્વમાં અન્ય એક પણ પ્રતીક એવુ ંનથી જેના ‘સ્વસ્તિક’ જેટલા અસંખ્ય અર્થઘટનો કરવામાં આવ્યા હોય.  જો કે ‘સ્વસ્તિક’ના  ઉદ્‌ભવ અંગેનું રહસ્ય અનેક સદીઓ બાદ પણ હજી સુધી ઉકેલાયું નથી. ગ્રેટ બ્રિટનમાં ‘સ્વસ્તિક’ને ફિલફોટ કહેવામાં આવે છે. ત્યાં આ ફિલફોટનો અર્થ ચાર પગવાળું (ચાર પાંખિયા) એવો કરવામાં આવે છે. સ્કેન્ડીનેવિયામાં ‘સ્વસ્તિક’ને ઈશ્વરના હથોડાના પ્રતીક તરીકે જોવામાં આવે છે. જપાનમાં તેને મનજી તરીકે ઓળખવામાં આવે છે તથા તે બુઘ્ધની પ્રતિમાઓ ઉપર જોવા મળે છે. જ્યારે બૌઘ્ધ યાત્રાળુઓ જપાનના પવિત્ર મનાંતા ફ્‌યૂજીયામા ખાતેના પર્વત પર જાય છે.  ત્યારે યાત્રાળુઓને ત્યાં તેમની ધાર્મિક વિધિ અનુસાર એક કપમાં પાણી આપવાાં આવે છે.  આ કપ ઉપર ‘સ્વસ્તિક’નું ચિહ્ન હોય છે ત્યાં સ્વસ્તિકના પ્રતીકને જીવનના જળ તરીકે માનવામાં  આવે છે. ચીનમાં સ્વસ્તિકને સમુદ્રનો પ્રતિનિધિ માનવામાં આવે છે. આ ઉપરાંત સ્વસ્તિકના ઘણા નમુનાઓ ઈજીપ્ત, ભારત, પર્શિયા, યુરોપના કેટલાક  દેશો, ફ્રાન્સ, જર્મની સ્કેન્ડીનેવિયા, સ્કોટલેન્ડ, આયર્લેન્ડ તથા અન્ય કેટલાક દેશોમાં મળી આવ્યા છે. મઘ્ય અને દક્ષિણ અમેરિકામાં ઘણા સ્થળો એ તે પથ્થર પર કોતરાયેલી સ્થિતિમાં પણ મળી આવે છે. જો કે અહીંના પથ્થરો પર તેને કયા યુગમાં પાષાણ પર કોતરવામાં આવ્યા હશે તે અંગે કંઈ જ જાણવા મળતું નથી. ગોરાઓએ જ્યારે અમેરિકામાં પોતાનો વ્યવસાય શરૂ કર્યો તે દરમ્યાન માટીના ઢગલામાંથી ગોરાઓને સ્વસ્તિકનું પ્રતીક મળી આવ્યું હતું. આ સાથે જ ભગવાન બુઘ્ધની એક મૂર્તિ પણ મળી આવી હતી. આ બાબત  એવું સ્પષ્ટ સૂચવે છે કે બૌદ્ધ મીશનરીઓ કોલંબસ કરતાં પહેલા અમેરિકી ભૂમિ પર પહોંચ્યા હશે. આમ સ્વસ્તિકને જીવન પ્રકાશ, સૂર્ય, આકાશ, વાયુ,  અગ્નિ અને પાણીના પ્રતીક તરીકે નિરખવામાં આવે છે. આ ઉપરાંત આ શુભ પ્રતીક બ્રહ્મા સારંગપાણિ વિષ્ણુ અને પીનાકપાણી ભગવાન શિવનું પણ પ્રતિનિધિત્વ કરે છે. તથા ભગવાન બુઘ્ધનું પણ પ્રતિનિધિત્વ કરે છે. બૌદ્ધ ધર્મના લોકો ‘સ્વસ્તિક’ને બુદ્ધ ભગવાનના હૃદયની મુદ્રા તરીકે ઓળખાવે છે. બૌદ્ધ ધર્મો જણાવે છે કે સમ્રાટ અશોેકે બૌદ્ધ ધર્મ અંગિકાર કર્યો હતો અને તેના પથ્થરના શિલાલેખમાં તેને એક માત્ર સ્વસ્તિકના પ્રતીકને મહત્તા આપી હતી. એવા પણ પૂરાવાઓ મળ્યા છે કે અગાઉના ખ્રીસ્તી ધર્મના લોકો સ્વસ્તિકે તેના ધર્મના વિશેષ પ્રતીક તરીકે  ઉપયોગ કરતા હતા.  ખ્રીસ્તીઓના ચર્ચમાં વિવિધ ચીજો પર સ્વસ્તિકનું પ્રતીક જોવા મળે છે. ખાસ કરીને ચર્ચની બહારના બેલ ઉપર આ પ્રતિક અંકિત થયેલું હોય છે.ખ્રીસ્તીઓ માને  છે કે સ્વસ્તિક એ આત્માની ચાર તબક્કાની પ્રગતિનું પ્રતિક છે. ધર્મની સ્થાપનાના શરૂઆતના સમયમાં ખ્રીસ્તી સ્વસ્તિકના સામાન્ય સ્વરૂપને ઈશ્વર તરફની ગતિ તરીકે માનતા હતા જ્યારે ઊંધા સ્વસ્તિકને ઈશ્વરથી દૂર થવાની ગતિ તરીકે તેઓ મનાતા હતા. જર્મનીના એક સમયના સરમુખત્યાર ઍડોલ્ફ હિટલરે તેની નેશનલ સોસ્યાલિસ્ટ પાર્ટી માટે ૧૯૧૯માં એક બેનર તૈયાર કરાવ્યું હતું. આ બેનરમાં તેમણે સ્વસ્તિકને ઉંધા સ્વરૂપમાં મૂકાવ્યો હતો. તેણે તેના લશ્કરના જવાનો અને અધિકારીઓના લશ્કરી પોશાક ઉપર પણ સફેદ વર્તુળમાં કાળા સ્વસ્તિકના ઉંધા સ્વરૂપને લોગોની જેમ મૂકાવ્યો હતો. તેના લશ્કરના ઘ્વજમાં પણ સફેદ વર્તુળમાં ઉંધો કાળો સ્વસ્તિક તેણે ચિતરાવ્યો હતો. નાઝીઓએ સ્વસ્તિકના પ્રતીકને આમ ઉલ્ટા સ્વરૂપમાં મૂક્યું તે તેમના માટે કાયમી ધોરણે અશુભ સાબિત થયું હતું. દોઢ દાયકા પૂર્વે બ્રિટનના યુવાન પ્રિન્સ હેરીએ ફેન્સી ડ્રેસની પાર્ટીમાં એવો પોશાક પહેર્યો હતો કે જેની બાંય પર ભારતીય સંસ્કૃતિના પ્રતિક સ્વસ્તિકને અંકિત કરવામાં આવ્યો હતો. પણ સ્વસ્તિક ધરાવતા પ્રિન્સના પોશાકને જોતાં જ બ્રિટનની પ્રજાને હિટલરના અત્યાચાર યાદ આવ્યા. આ પાર્ટીના અહેવાલ અને પોશાકમાં સ્વસ્તિકના ચિહ્નની બાબતને બ્રિટનનાં અખબારોએ પહેલે પાને ચગાવી. સમગ્ર બ્રિટનમાં સારા એવા પ્રમાણમાં ્‌સ્વસ્તિક વિશે વિવાદ જાગ્યો અને યુરોપના દેશોમાં તેના પર પ્રતિબંધ મૂકવા સુધીની વાતો થવા લાગી. ત્યારે બ્રિટનમાં વસેલા હિન્દુઓએ તેનો ઉગ્ર વિરોધ કર્યો હતો અને ભારતીય સંસ્કૃતિમાં સ્વસ્તિકનું મહત્ત્વ કેટલું છે તે વિશેની જનજાગૃતિ માટેના પ્રયાસ કર્યા હતા. તિબેટના લોકોમાં તેમના શરીર પર સ્વસ્તિકના છુંદણા કરાવવાની પ્રથા છે. તેઓ શરીર પર સ્વસ્તિકના છુંદણાને અત્યંત શુભ અને પવિત્ર નિશાની ગણે છે તથા તિબેટની મહિલાઓ તેમના પેટીકોટ ઉપર  પણ સ્વસ્તિકની ડિઝાઈન મૂકાવે છે. જૈનોએ તો સ્વસ્તિકના આધારે જીવનના તત્ત્વજ્ઞાનને ઘડ્યું છે. જૈન ધર્મમાં સ્વસ્તિકની સાથે ત્રણ વર્તુળો એક બીજનો ચંદ્ર અને વઘુ એક વર્તુળને ઉમેરો કર્યો છે. સ્વસ્તિકમાં એકબીજાને છેદતી બે રેખાઓ સૂચવે છે કે ભૌતિક વિશ્વમાં આત્માના ચાર તબક્કાઓ અસ્તિત્વ ધરાવે છે. જેમાં વનસ્પતિ જીવન, પ્લાન્ટ અને પ્રાણી જીવન, માનવ જીવન સ્વર્ગીય દિવ્ય જીવનનો સમાવેશ કરવામાં આવ્યો છે. સ્વસ્તિક સાથેની વઘુ એક માન્યતા અનુસાર દરેક મનુષ્યએ ત્રણ આભૂષણો પ્રાપ્ત કરવાનો પ્રયત્ન કરવો જોઈએ. આ ત્રણ આભૂષણોમાં સાચી માન્યતા સાચું જ્ઞાન સારું વર્તનનો સમાવેશ થાય છે. જો માણસ પાસે આ ત્રણ આભૂષણો હોય તો તે આઘ્યાત્મિક રીતે વઘુને વઘુ સમૃદ્ધ થઈ શકે. કેટલાક વિદ્ધાનોના મતાનુસાર પ્રાચીનકાળમાં સ્વસ્તિકના આકારમાં કિલ્લા બાંધવામાં આવતા હતા. આમ સ્વસ્તિક એ સંરક્ષણનુ પણ  પ્રતીક છે. આ પ્રકારના કિલ્લાઓ જીતી લેવાનું દુશ્મનો માટે મુશ્કેલ બનતું. કારણ કે આ સ્વસ્તિક આકારના કિલ્લાના ચાર પૈકીનો એક દરવાજો દુશ્મન તોડે તો પણ અન્ય ત્રણ દરવાજા એટલે કે કિલ્લાનો ત્રણ ચર્તુથાંશ ભાગ સલામત રહે છે. સ્વસ્તિકના જુદા જુદા સ્વરૂપ હોય છે તે અનુસાર મહાભારત કાળમાં કુરુક્ષેત્રના યુઘ્ધ દરમ્યાન વિરોધી સેનાની સામે ઘડવામાં આવતા વિવિધ વ્યૂહો એ પણ સ્વસ્તિકના જ સ્વરૂપો હતા. આમાનો એક વ્યૂહ અત્યંત પ્રચલિત છે જે પાંડવ સેના સામે કૌરવ સેના- પતિ આચાર્ય દ્રોણે અમલમાં મૂક્યો હતો. જે ચક્રવ્યૂહના નામે આજે પણ પ્રચલિત છે. આ ચક્રવ્યૂહના ચક્રવાકમાં અર્જુન પુત્ર અભિમન્યુ અટવાઈ ગયો હતો. એકંદરે કહેવાનું તાત્પર્ય એ છે કે સ્વસ્તિક સુરક્ષાનું પણ પ્રતિક છે. સ્વસ્તિક અંગે વિશ્વમાં આજે એક વિપરિત માન્યતા પ્રવર્તતી હોવાનું પણ જણાવાય છે. જર્મનીના એક સમયના સરમુખત્યાર ઍડોલ્ફ હિટલરે તેની નેશનલ સોસ્યાલિસ્ટ પાર્ટી અને તેના નાઝી સૈન્ય માટે સ્વસ્તિકનો ઉલ્ટા સ્વરૂપમાં ઉપયોગ કર્યો ત્યારથી વિશ્વના અનેક દેશોમાં સ્વસ્તિકને ધર્મના પ્રતીક તરીકે ઓછું મહત્ત્વ મળતું થયું છે. તેમજ અનેક દેશો તેને માત્ર નાઝી સૈન્યના પ્રતિક તરીકે જ  જુવે છે. આમ છતાં ભારતમાં  સ્વસ્તિકનું ધાર્મિક મહત્ત્વ આજે પણ યથાવત્‌ છે. યુરોપ અને અમેરિકાના સત્તાવાળાઓએ હિટલરના સ્વસ્તિક તથા હંિદુઓના સાથિયા વચ્ચેનો તફાવત સમજી લેવો જોઈએ. જેથી આંધળે બહેરું કુંટાય નહીં.

Morari Bapu need to Go Back to School..


Morari Bapu need to Go Back to School...

via Morari Bapu need to Go Back to School...

Indonesia A Lost Hindu Empire.


Genealogy of the kings of Majapahit, Indonesia

Image via Wikipedia

This is awesome article about Indonesia a Lost Hindu Empire written by Shreyas Limaye and sheds light on History of Country and its civilization and root Vedanta Philosophy. I urge all the Indonesian people to do some research on their family roots and come back to religion of their ancestor and throw cult of terror from their Mother land and join the Humanity.

Sam Hindu

Lost Hindu Empires of Indonesia ;

By Shreyas Limaye , PhD

One of the common misconceptions about Hinduism is that it is an India-specific religion. Indeed it is true that Hinduism and the Vedanta philosophy originated in India and even today a vast majority of the followers of the religion are Indians; emigration and migration in the last couple of centuries and the universal appeal of Vedanta have made people recognize the fact that it is a global religion with a worldwide following.
 
Even historically, Hinduism was never an India-specific religion. Ancient Hindu idols have been discovered in places as far as central Asia. However, for a variety of reasons, Hinduism got erased from most of the places which lay to the west of India.
 
But in Indonesia, where Hinduism flourished in style and in substance, it continues to maintain its presence even today – reminding us of its past glory and global appeal.

How Hinduism was introduced in Indonesia:

Records of foreign trade with Indonesia exist from the early AD centuries. Consequently, it was earlier thought that Hinduism was introduced to Indonesia through traders arriving from India.

 However, recent discoveries of Sanskrit transcriptions in places like eastern Kalimantan, a considerable distance from the international trade route, and also in western Java have given rise to a new theory that it was introduced to the Indonesian islands through rishis and their Indian and Indonesian disciples.

 References in Balinese literature about Pura Pucak Raung (in the Eastern Javanese district of Glenmore), where Maharishi Markandeya is said to have visited and gathered followers, further bolster this claim.

Local Influence:

But as is common with most of the religions, Hinduism in Indonesia (known formally as “Agama Hindu Dharma” in Bahasa Indonesia) got influenced with local beliefs, customs and traditions and developed a distinctly Indonesian flavor.

 It shares all the main beliefs of Hinduism like a belief that all of the Gods are manifestations of the Supreme Being, belief in the Trimurti of Brahma, Vishnu (Wisnu), Mahesh (Ciwa) representing the creator, preserver and destroyer roles of the Supreme Being, belief in sacred texts of Vedas, Puranas and Itihaasas, etc.

 However it lacks the traditional Hindu emphasis on cycles of rebirth and reincarnation, but instead is greatly influenced by the Chinese and Eastern Asian concept of ancestral spirits. Brahmins are regarded as the prestigious class but instead of being affiliated with any temple, they act as spiritual leaders and advisers to individual families.

Hindu Kingdoms:

Being accepted as an Indonesian religion, Hinduism is reflected in early Indonesian polity as well. Various Hindu kingdoms began to emerge in the main islands of Java and Sumatra. Most notable amongst them are Srivijaya and Majapahit which flourished to become empires and influenced the events of the region.

Srivijaya Kingdom:

Srivijaya kingdom was based in Palembang, in the island of Sumatra. Accounts of its origins vary from 200 AD to 500 AD. But mainly from 7th century AD, it appears in contemporary Chinese and other trade records as an important maritime Indonesian kingdom.

 Srivijaya established suzerainty over large areas of Sumatra, western Java and much of the Malay Peninsula. Dominating the Malacca and Sunda straits, it controlled both the spice route traffic and local trade, charging a toll on passing ships. Serving as an entrepôt for Chinese, Malay, and Indian markets, the port of Palembang, accessible from the coast by way of a river, accumulated great wealth.

 In 903 AD, a Muslim writer Ibn Rustah was so impressed with the wealth of Srivijaya’s ruler that he declared one would not hear of a king who was richer, stronger or with more revenue. Srivijaya also maintained close relations with the Pala Empire in Bengal and an 860 AD inscription records that the maharaja of Srivijaya dedicated a monastery at the Nalanda University in Pala territory.

 Fall of the Srivijaya Kingdom: Relations with the Chola dynasty of southern India were initially friendly but deteriorated into actual warfare in the eleventh century. Although Srivijaya managed to survive Chola invasion and conquest, it got gravely weakened, lost its regional hegemony and gave rise to formation of small kingdoms. As the decline went further, Islam made its way to the Aceh region of Sumatra.

 In 13th century, the kingdom of Pasai in northern Sumatra converted to Islam putting further pressure on Srivijaya. In 1365 AD, Srivijaya was conquered by the Hindu Majapahit Empire from Java. A rebellion in 1377 AD was squashed down by Majapahit, but left the area of Southern Sumatra in chaos and desolation giving further impetus to the growth of Islam.

 By 1402 AD, Parameswara, the last prince of Srivijaya who had fled Palembang after being defeated by Majapahits, married a Muslim princess of Pasai and founded a kingdom on the Malay Peninsula. In 1414 AD, at the age of 70 he himself converted to Islam declaring his kingdom as the ‘Sultanate of Malacca’. 

Other Hindu Kingdoms: During the same time period some other Hindu kingdoms like Sailendra and Singhasari existed on the island of Java. Some of the magnificent Hindu and Buddhist temples in Southeast Asia are built-in that time frame.

The Borobudur temple complex, in honor of Mahayana Buddhism, contains 2,000,000 cubic feet of stone and includes 27,000 square feet of stone bas-relief. Shiva’s great temple is less than 50 miles away at Prambanan.

Majapahit Empire:

Based in eastern Java in since 1293 AD, Majapahit was the last Hindu empire in Indonesia. It reached its height in the mid-14th century under King Hayam Wuruk (1350AD-89AD) and his Prime Minister Gajah Mada.

The New Year ceremony during the Majapahit era was a major religious ceremony which used to be attended by Indian scholars as well. Thus in one of the inscriptions, the poet asserts that the only famous countries in the world were Java and India because both contained many religious experts! However, after the death of Hayam Wuruk, the kingdom grew internally weaker due to family feuds and found itself unable to control the rising power of the Sultanate of Malacca.

Finally in 1478, Brawijaya the last Majapahit ruler converted to Islam. The last remaining courtsmen of Majapahit were forced to withdraw eastward. A large number of courtiers, artisans, priests, and Hindu members of the royalty moved east to the island of Bali at the end of Majapahit’s existence; where they remained isolated before being colonized by the Dutch.

Conversion to Islam:

In both Java and Sumatra, as the royalty converted to Islam, the citizens followed suit. And although many cultural aspects of the religion were preserved, Hinduism ceased to exist as a major spiritual force after being the main Indonesian religion for centuries.

This is undoubtedly a major event in the history of Hinduism and should be studied and understood in great detail by all those who love this ancient continuous tradition. It would reveal the conditions and reasons behind the downfall of Hinduism from one of its strongholds and might prove as a guidance to avoid such circumstances elsewhere in the future.

Hindus Renaissance and Challenges:

Preserved by Balinese Hindus through their turbulent history, Hinduism is experiencing a revival in all parts of Indonesia in the recent times. While many Javanese had retained aspects of their indigenous and Hindu traditions through the centuries of Islamic influence, under the banner of ‘Javanist religion’ (kejawen), no more than a few isolated communities upheld Hinduism as the primary mark of their public identity.

 Even officially identifying their religion as Hinduism was not a legal possibility for Indonesians until 1962 AD, when it became the fifth state-recognized religion. This recognition was initially sought by Balinese religious organizations and granted for the sake of Bali, where the majority was Hindu.

The largest of these organizations, Parisada Hindu Dharma Bali, changed its name to P.H.D. Indonesia (PHDI) in 1964, reflecting subsequent efforts to define Hinduism as a national rather than just a Balinese affair. Religious identity became a life and death issue for many Indonesians around the same time as Hinduism gained recognition, namely in the wake of the violent anti-Communist purge of 1965-66.

Persons lacking affiliation with a state recognized-religion tended to be classed as atheists and hence as communist suspects. Despite the inherent disadvantages of joining a national religious minority, a deep concern for the preservation of their traditional ancestral religious practices made Hinduism a more palatable option than Islam for several ethnic groups in the outer islands.

 In the early seventies, the Toraja people of Sulawesi island were the first to realize this opportunity by seeking shelter for their indigenous religious practices under the broad umbrella of ‘Hinduism’, followed by the Karo Batak of Sumatra in 1977 and the Ngaju Dayak of Kalimantan in 1980. The rate of conversion (or re-conversion) to Hinduism accelerated dramatically during and after the collapse of former President Suharto’s authoritarian regime in 1998.

For some Indonesians this return to the ‘religion of Majapahit‘ was a matter of nationalist pride. PHDI, in an annual report claims the ‘Hindu congregation’ (umat hindu) of East Java province to have grown by 76,000 souls in 1999 alone.

Temple Reconstruction:

Apart from political environment, socio-economic factors also contributed to this trend. In the last few decades, especially after being formally recognized as an official Indonesian religion, some of the ancient Hindu temples are being revived in Indonesia with the generous donations from wealthy Balinese Hindus.

 Surge in the number of households proclaiming themselves as the followers of Hinduism has been seen around these revived temples. Prominent among them include Pura (temple) Blambangan in the regency of Banyuwangi completed around 1978, Pura Mandaragiri Sumeru Agung, located on the slope of Mt Sumeru, Java’s highest mountain completed in 1992 and recently completed Pura Loka Moksa Jayabaya in the village of Menang near Kediri and Pura Pucak Raung in the Eastern Javanese district of Glenmore. Similar resurgence was observed around major archaeological remains of ancient Hindu temple sites in Trowulan near Mojokerto. Economically, the newly built temples have brought new prosperity to local populations.

 Apart from employment in the building, expansion, and repair of the temple itself, a steady stream of Balinese pilgrims to this now nationally recognized temple has led to the growth of a sizeable service industry. In the recent international environment, pondering on the secret to the economic success of their Balinese neighbors, several local inhabitants have also concluded that Hindu culture may be more conducive to the development of an international tourism industry.

What the future holds:Contributed by all these factors, a slow yet certain revival of Hinduism in Indonesia is observed. However, it also should be noted that simultaneously, a steady increase in the number of Wahabi mosques funded by Saudi oil money has contributed to the increased radicalization of Southeast Asian Muslim populace. It would be interesting to see how the Hindu revival movement proceeds under such circumstances in future.

Shreyas Limaye is a PhD student in the Industrial Engineering department at University of Washington, Seattle

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This Explains Why I Forward or Tag Jokes / Notes / Articles and My Blog to you.


SOME TIMES BY ; SAM HINDU

This Explains Why I Forward or Tag  Jokes / Notes / Articles and My Blog  to you..

A man and his dog were walking along a road. The man was enjoying the
scenery, when it suddenly occurred to him that he was dead.
He remembered dying, and that the dog walking beside him had been dead
for years. He wondered where the road was leading them.
After a while, they came to a high, white stone wall along one side of
the road. It looked like fine marble. At the top of a long hill, it was
broken by a tall arch that glowed in the sunlight.
When he was standing before it he saw a magnificent gate in the arch that
looked like mother-of-pearl, and the street that led to the gate looked
like pure gold. He and the dog walked toward the gate, and as he got
closer, he saw a man at a desk to one side..
When he was close enough, he called out, ‘Excuse me, where are we?’
‘This is Heaven, sir,’ the man answered.
‘Wow! Would you happen to have some water?’ the man asked.
‘Of course, sir. Come right in, and I’ll have some ice water brought
right up.’
The man gestured, and the gate began to open.
‘Can my friend,’ gesturing toward his dog, ‘come in, too?’ the traveler
asked.
‘I’m sorry, sir, but we don’t accept pets.’
The man thought a moment and then turned back toward the road and
continued the way he had been going with his dog.
After another long walk, and at the top of another long hill, he came to
a dirt road leading through a farm gate that looked as if it had never
been closed. There was no fence.
As he approached the gate, he saw a man inside, leaning against a tree
and reading a book.
‘Excuse me!’ he called to the man. ‘Do you have any water?’
‘Yeah, sure, there’s a pump over there, come on in.’
‘How about my friend here?’ the traveler gestured to the dog.
‘There should be a bowl by the pump.’
They went through the gate, and sure enough, there was an old-fashioned
hand pump with a bowl beside it.
The traveler filled the water bowl and took a long drink himself, then he
gave some to the dog.
When they were full, he and the dog walked back toward the man who was
standing by the tree.
‘What do you call this place?’ the traveler asked.
‘This is Heaven,’ he answered.
‘Well, that’s confusing,’ the traveler said. ‘The man down the road said
that was Heaven, too.’
‘Oh, you mean the place with the gold street and pearly gates? Nope..
That’s hell.’
‘Doesn’t it make you mad for them to use your name like that?’
‘No, we’re just happy that they screen out the folks who would leave
their best friends behind.’
Soooo.
Sometimes, we wonder why friends keep forwarding jokes to us without
writing a word.
Maybe this will explain.
When you are very busy, but still want to keep in touch, guess what you
do? You forward jokes.
When you have nothing to say, but still want to keep contact, you forward
jokes.
When you have something to say, but don’t know what, and don’t know how,
you forward jokes.
Also to let you know that you are still remembered, you are still
important, you are still loved, you are still cared for, guess what you
get?
A forwarded joke.
So, next time if you get a joke, don’t think that you’ve been sent just
another forwarded joke, but that you’ve been thought of today and your
friend on the other end of your computer wanted to send you a smile.
You are all welcome @ my water bowl anytime

Thank you & Regards:
 

Look for Faces in Tree..

Taj Mahal – A Hindu Shiva Temple-Palace TEJO MAHAL


TEJO MAHAL, Taj Mahal

Taj Mahal – A Hindu Shiva Temple-Palace TEJO MAHAL

By now you all know through my previous articles, the irrefutable facts and deductive logic which prove that Islam is evil right at its very foundation. It is not a religion, but a means to legalize rape, murder, loot and destruction! Given what I have shown in these previous weeks, no one should have the slightest doubt that the true followers of such a “religion” can only be called dacoits!

These dacoits have looted and raped many countries, but no country can tell a bloodier tale of muslim oppression than India! The muslim dacoits started their rule over India in 712 A.D. with the invasion of Mohammed Qasem and looking at the present situation of our country it still continues on today!

During their rule they looted and destroyed hundereds of thousands of Hindu temples. Aurangzeb himself destroyed 10,000 Hindu temples during his reign! Some of the larger temples were converted into mosques or other Islamic structures. Ram Janmbhoomi(at Ayodhya) and Krishna Temple(at Mathura) are just two examples. Many others exist!

The most evident of such structures is Taj Mahal–a structure supposedly devoted to carnal love by the “great” moghul king Shah Jahan to his favorite wife Mumtaz Mahal. Please keep in my mind that this is the same Shah Jahan who had a harem of 5,000 women and the same Shah Jahan who had a incestuous relationship with his daughter justifing it by saying, ‘a gardner has every right to taste the fruit he has planted’! Is such a person even capable of imagning such a wondrous structure as the Taj Mahal let alone be the architect of it?

The answer is no. It cannot be. And it isn’t as has been proven. The Taj Mahal is as much a Islamic structure as is mathematics a muslim discovery! The famous historian Shri P.N. Oak has proven that Taj Mahal is actually Tejo Mahalaya– a shiv temple-palace. His work was published in 1965 in the book, Taj Mahal – The True Story. However, we have not heard much about it because it was banned by the corrupt and power crazed Congress government of Bharat who did not want to alienate their precious vote bank–the muslims.

After reading Shri Oak’s work which provides more than adequate evidence to prove that Taj Mahal is indeed Tejo Mahalaya, one has to wonder if the government of Bharat has been full of traitors for the past 50 years! Because to ban such a book which states only the truth is surely a crime against our great nation of Bharat.

The most valuable evidence of all that Tejo Mahalaya is not an Islamic building is in the Badshahnama which contains the history of the first twenty years of Shah Jahan’s reign. The writer Abdul Hamid has stated that Taj Mahal is a temple-palace taken from Jaipur’s Maharaja Jaisigh and the building was known as Raja Mansingh’s palace. This by itself is enough proof to state that Tejo Mahalaya is a Hindu structure captured, plundered and converted to a mausoleum by Shah Jahan and his henchmen. But I have taken the liberty to provide you with 109 other proofs and logical points which tell us that the structure known as the Taj Mahal is actually Tejo Mahalaya.

There is a similar story behind Every Islamic structure in Bharat. They are all converted Hindu structures. As I mentioned above, hundereds of thousands of temples in Bharat have been destroyed by the barbaric muslim invaders and I shall dedicate several articles to these destroyed temples. However, the scope of this article is to prove to you beyond the shadow of any doubt that Taj Mahal is Tejo Mahalaya and should be recognized as such! Not as a monument to the dead Mumtaz Mahal–an insignificant sex object in the incestous Shah Jahan’s harem of 5,000.

Another very important proof that Taj Mahal is a Hindu structure is shown by figure 1 below. It depicts Aurangzeb’s letter to Shah Jahan in Persian in which he has unintentionally revealed the true identity of the Taj Mahal as a Hindu Temple-Palace. Refer to proofs 20 and 66 stated below.

Figure 1.
Aurangzeb’s letter to his father Shah Jahan written in
Persian. (Source: Taj Mahal – The True Story, pg. 275)

Take the time to read the proofs stated below and know to what extent we have been lied to by our own leaders. These proofs of Shri P.N. Oak have been taken from the URL: http://rbhatnagar.ececs.uc.edu:8080/hindu_history/modern/taj_oak.html I would like to commend the creator of the above mentioned web site for taking the time to put up the proofs given by Shri P.N. Oak.

For more information you can order the book, Taj Mahal – The True Story authored by Shri P.N. Oak. The ISBN number of the book is ISBN 0-9611614-4-2. The book is available through A. Ghosh (Publisher), 5720 W. Little York, #216, Houston, Texas 77091. Visit Sword Of Truth – Online Magazine for more information

Proofs follow below:

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Name

1.The term Tajmahal itself never occurs in any mogul court paper or chronicle even in Aurangzeb’s time. The attempt to explain it away as Taj-i-mahal is therefore, ridiculous.

2.The ending “Mahal” is never muslim because in none of the muslim countries around the world from Afghanistan to Algeria is there a building known as “Mahal”.

3.The unusual explanation of the term Tajmahal derives from Mumtaz Mahal, who is buried in it, is illogical in at least two respects viz., firstly her name was never Mumtaj Mahal but Mumtaz-ul-Zamani and secondly one cannot omit the first three letters “Mum” from a woman’s name to derive the remainder as the name of the building.

4.Since the lady’s name was Mumtaz (ending with ‘Z’) the name of the building derived from her should have been Taz Mahal, if at all, and not Taj (spelled with a ‘J’).

5.Several European visitors of Shahjahan’s time allude to the building as Taj-e-Mahal is almost the correct tradition, age old Sanskrit name Tej-o-Mahalaya, signifying a Shiva temple. Contrarily Shahjahan and Aurangzeb scrupulously avoid using the Sanskrit term and call it just a holy grave.

6.The tomb should be understood to signify Not A Building but only the grave or centotaph inside it. This would help people to realize that all dead muslim courtiers and royalty including Humayun, Akbar, Mumtaz, Etmad-ud-Daula and Safdarjang have been buried in capture Hindu mansions and temples.

7.Moreover, if the Taj is believed to be a burial place, how can the term Mahal, i.e., mansion apply to it?

8.Since the term Taj Mahal does not occur in mogul courts it is absurd to search for any mogul explanation for it. Both its components namely, ‘Taj’ and’ Mahal’ are of Sanskrit origin.
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Temple Tradition

9.The term Taj Mahal is a corrupt form of the sanskrit term TejoMahalay signifying a Shiva Temple. Agreshwar Mahadev i.e., The Lord of Agra was consecrated in it.

10.The tradition of removing the shoes before climbing the marble platform originates from pre Shahjahan times when the Taj was a Shiva Temple. Had the Taj originated as a tomb, shoes need not have to be removed because shoes are a necessity in a cemetery.

11.Visitors may notice that the base slab of the centotaph is the marble basement in plain white while its superstructure and the other three centotaphs on the two floors are covered with inlaid creeper designs. This indicates that the marble pedestal of the Shiva idol is still in place and Mumtaz’s centotaphs are fake.

12.The pitchers carved inside the upper border of the marble lattice plus those mounted on it number 108-a number sacred in Hindu Temple tradition.

13.There are persons who are connected with the repair and the maintainance of the Taj who have seen the ancient sacred Shiva Linga and other idols sealed in the thick walls and in chambers in the secret, sealed red stone stories below the marble basement. The Archaeological Survey of India is keeping discretely, politely and diplomatically silent about it to the point of dereliction of its own duty to probe into hidden historical evidence.

14.In India there are 12 Jyotirlingas i.e., the outstanding Shiva Temples. The Tejomahalaya alias The Tajmahal appears to be one of them known as Nagnatheshwar since its parapet is girdled with Naga, i.e., Cobra figures. Ever since Shahjahan’s capture of it the sacred temple has lost its Hindudom.

15.The famous Hindu treatise on architecture titled Vishwakarma Vastushastra mentions the Tej-Linga amongst the Shivalingas i.e., the stone emblems of Lord Shiva, the Hindu deity. Such a Tej Linga was consecrated in the Taj Mahal, hence the term Taj Mahal alias Tejo Mahalaya.

16.Agra city, in which the Taj Mahal is located, is an ancient centre of Shiva worship. Its orthodox residents have through ages continued the tradition of worshipping at five Shiva shrines before taking the last meal every night especially during the month of Shravan. During the last few centuries the residents of Agra had to be content with worshipping at only four prominent Shiva temples viz., Balkeshwar, Prithvinath, Manakameshwar and Rajarajeshwar. They had lost track of the fifth Shiva deity which their forefathers worshipped. Apparently the fifth was Agreshwar Mahadev Nagnatheshwar i.e., The Lord Great God of Agra, The Deity of the King of Cobras, consecrated in the Tejomahalay alias Tajmahal.

17.The people who dominate the Agra region are Jats. Their name of Shiva is Tejaji. The Jat special issue of The Illustrated Weekly of India (June 28,1971) mentions that the Jats have the Teja Mandirs i.e., Teja Temples. This is because Teja-Linga is among the several names of the Shiva Lingas. From this it is apparent that the Taj-Mahal is Tejo-Mahalaya, The Great Abode of Tej.
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Documentary Evidence

18.Shahjahan’s own court chronicle, the Badshahnama, admits (page 403, vol 1) that a grand mansion of unique splendor, capped with a dome (Imaarat-a-Alishan wa Gumbaze) was taken from the Jaipur Maharaja Jaisigh for Mumtaz’s burial, and the building was known as Raja Mansingh’s palace.

19. The plaque put the archealogy department outside the Tajmahal describes the edifice as a mausoleum built by Shahjahan for his wife Mumtaz Mahal, over 22 years from 1631 to 1653 That plaque is a specimen of historical bungling. Firstly, the plaque sites no authority for its claim. Secondly the lady’s name was Mumtaz-ulZamani and not Mumtazmahal. Thirdly, the period of 22 years is taken from some mumbo jumbo noting by an unreliable French visitor Tavernier, to the exclusion of all muslim versions, which is an absurdity.

20. Prince Aurangzeb’s letter (Refer to Figure 1 above) to his father, emperor Shahjahan, is recorded in atleast three chronicles titled Aadaab-e-Alamgiri, Yadgarnama, and the Muruqqa-i-Akbarabadi (edited by Said Ahmed, Agra, 1931, page 43, footnote 2). In that letter Aurangzeb records in 1652 A.D itself that the several buildings in the fancied burial place of Mumtaz were seven storeyed and were so old that they were all leaking, while the dome had developed a crack on the northern side. Aurangzeb, therefore, ordered immediate repairs to the buildings at his own expense while recommending to the emperor that more elaborate repairs be carried out later. This is the proof that during Shahjahan’s reign itself that the Taj complex was so old as to need immediate repairs.

21. The ex-Maharaja of Jaipur retains in his secret personal KapadDwara collection two orders from Shahjahan dated Dec 18, 1633 (bearing modern nos. R.176 and 177) requestioning the Taj building complex. That was so blatant a usurpation that the then ruler of Jaipur was ashamed to make the document public.

22. The Rajasthan State archives at Bikaner preserve three other firmans addressed by Shahjahan to the Jaipur’s ruler Jaisingh ordering the latter to supply marble (for Mumtaz’s grave and koranic grafts) from his Makranna quarris, and stone cutters. Jaisingh was apparently so enraged at the blatant seizure of the Tajmahal that he refused to oblige Shahjahan by providing marble for grafting koranic engravings and fake centotaphs for further desecration of the Tajmahal. Jaisingh looked at Shahjahan’s demand for marble and stone cutters, as an insult added to injury. Therefore, he refused to send any marble and instead detained the stone cutters in his protective custody.

23. The three firmans demanding marble were sent to Jaisingh within about two years of Mumtaz’s death. Had Shahjahan really built the Tajmahal over a period of 22 years, the marble would have needed only after 15 or 20 years not immediately after Mumtaz’s death.

24. Moreover, the three mention neither the Tajmahal, nor Mumtaz, nor the burial. The cost and the quantity of the stone also are not mentioned. This proves that an insignificant quantity of marble was needed just for some supercial tinkering and tampering with the Tajmahal. Even otherwise Shahjahan could never hope to build a fabulous Tajmahal by abject dependence for marble on a non cooperative Jaisingh.
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European Visitor’s Accounts

25. Tavernier, a French jeweller has recorded in his travel memoirs that Shahjahan purposely buried Mumtaz near the Taz-i-Makan (i.e.,`The Taj building’) where foriegners used to come as they do even today so that the world may admire. He also adds that the cost of the scaffolding was more than that of the entire work. The work that Shahjahan commissioned in the Tejomahalaya Shiva temple was plundering at the costly fixtures inside it, uprooting the Shiva idols, planting the centotaphs in their place on two stories, inscribing the koran along the arches and walling up six of the seven stories of the Taj. It was this plunder, desecrating and plunderring of the rooms which took 22 years.

26. Peter Mundy, an English visitor to Agra recorded in 1632 (within only a year of Mumtaz’s death) that `the places of note in and around Agra, included Taj-e-Mahal’s tomb, gardens and bazaars’. He, therefore, confirms that that the Tajmahal had been a noteworthy building even before Shahjahan.

27. De Laet, a Dutch official has listed Mansingh’s palace about a mile from Agra fort, as an outstanding building of pre shahjahan’s time. Shahjahan’s court chronicle, the Badshahnama records, Mumtaz’s burial in the same Mansingh’s palace.

28. Bernier, a contemporary French visitor has noted that non muslim’s were barred entry into the basement (at the time when Shahjahan requisitioned Mansingh’s palace) which contained a dazzling light. Obviously, he reffered to the silver doors, gold railing, the gem studded lattice and strings of pearl hanging over Shiva’s idol. Shahjahan comandeered the building to grab all the wealth, making Mumtaz’s death a convineant pretext.

29. Johan Albert Mandelslo, who describes life in agra in 1638 (only 7 years after mumtaz’s death) in detail (in his Voyages and Travels to West-Indies, published by John Starkey and John Basset, London), makes no mention of the Tajmahal being under constuction though it is commonly erringly asserted or assumed that the Taj was being built from 1631 to 1653.
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Sanskrit Inscription

30. A Sanskrit inscription too supports the conclusion that the Taj originated as a Shiva temple. Wrongly termed as the Bateshwar inscription (currently preserved on the top floor of the Lucknow museum), it refers to the raising of a “crystal white Shiva temple so alluring that Lord Shiva once enshrined in it decided never to return to Mount Kailash his usual abode”. That inscription dated 1155 A.D. was removed from the Tajmahal garden at Shahjahan’s orders. Historicians and Archeaologists have blundered in terming the insription the Bateshwar inscription when the record doesn’t say that it was found by Bateshwar. It ought, in fact, to be called The Tejomahalaya inscription because it was originally installed in the Taj garden before it was uprooted and cast away at Shahjahan’s command.

A clue to the tampering by Shahjahan is found on pages 216-217, vol. 4, of Archealogiical Survey of India Reports (published 1874) stating that a “great square black balistic pillar which, with the base and capital of another pillar….now in the grounds of Agra, …it is well known, once stood in the garden of Tajmahal”.
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Missing Elephants

31. Far from the building of the Taj, Shahjahan disfigured it with black koranic lettering and heavily robbed it of its Sanskrit inscription, several idols and two huge stone elephants extending their trunks in a welcome arch over the gateway where visitors these days buy entry tickets. An Englishman, Thomas Twinning, records (pg.191 of his book “Travels in India A Hundred Years ago”) that in November 1794 “I arrived at the high walls which enclose the Taj-e-Mahal and its circumjacent buildings. I here got out of the palanquine and…..mounted a short flight of steps leading to a beautiful portal which formed the centre of this side of the Court Of Elephants as the great area was called.”
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Koranic Patches

32. The Taj Mahal is scrawled over with 14 chapters of the Koran but nowhere is there even the slightest or the remotest allusion in that Islamic overwriting to Shahjahan’s authorship of the Taj. Had Shahjahan been the builder he would have said so in so many words before beginning to quote Koran.

33. That Shahjahan, far from building the marble Taj, only disfigured it with black lettering is mentioned by the inscriber Amanat Khan Shirazi himself in an inscription on the building. A close scrutiny of the Koranic lettering reveals that they are grafts patched up with bits of variegated stone on an ancient Shiva temple.
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Carbon 14 Test

34. A wooden piece from the riverside doorway of the Taj subjected to the carbon 14 test by an American Laboratory and initiated by Professors at Pratt School of Architecture, New York, has revealed that the door to be 300 years older than Shahjahan,since the doors of the Taj, broken open by Muslim invaders repeatedly from the 11th century onwards, had to b replaced from time to time. The Taj edifice is much more older. It belongs to 1155 A.D, i.e., almost 500 years anterior to Shahjahan.
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Architectural Evidence

35. Well known Western authorities on architechture like E.B.Havell, Mrs.Kenoyer and Sir W.W.Hunterhave gone on record to say that the TajMahal is built in the Hindu temple style. Havell points out the ground plan of the ancient Hindu Chandi Seva Temple in Java is identical with that of the Taj.

36. A central dome with cupolas at its four corners is a universal feature of Hindu temples.

37. The four marble pillars at the plinth corners are of the Hindu style. They are used as lamp towers during night and watch towers during the day. Such towers serve to demarcate the holy precincts. Hindu wedding altars and the altar set up for God Satyanarayan worship have pillars raised at the four corners.

38. The octagonal shape of the Tajmahal has a special Hindu significance because Hindus alone have special names for the eight directions, and celestial guards assigned to them. The pinnacle points to the heaven while the foundation signifies to the nether world. Hindu forts, cities, palaces and temples genrally have an octagonal layout or some octagonal features so that together with the pinnacle and the foundation they cover all the ten directions in which the king or God holds sway, according to Hindu belief.

39. The Tajmahal has a trident pinncle over the dome. A full scale of the trident pinnacle is inlaid in the red stone courtyard to the east of the Taj. The central shaft of the trident depicts a Kalash (sacred pot) holding two bent mango leaves and a coconut. This is a sacred Hindu motif. Identical pinnacles have been seen over Hindu and Buddhist temples in the Himalayan region. Tridents are also depicted against a red lotus background at the apex of the stately marble arched entrances on all four sides of the Taj. People fondly but mistakenly believed all these centuries that the Taj pinnacle depicts a Islamic cresent and star was a lighting conductor installed by the British rulers in India. Contrarily, the pinnacle is a marvel of Hindu metallurgy since the pinnacle made of non rusting alloy, is also perhaps a lightning deflector. That the pinnacle of the replica is drawn in the eastern courtyard is significant because the east is of special importance to the Hindus, as the direction in which the sun rises. The pinnacle on the dome has the word `Allah’ on it after capture. The pinnacle figure on the ground does not have the word Allah.
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Inconsistencies

40. The two buildings which face the marble Taj from the east and west are identical in design, size and shape and yet the eastern building is explained away by Islamic tradition, as a community hall while the western building is claimed to be a mosque. How could buildings meant for radically different purposes be identical? This proves that the western building was put to use as a mosque after seizure of the Taj property by Shahjahan. Curiously enough the building being explained away as a mosque has no minaret. They form a pair af reception pavilions of the Tejomahalaya temple palace.

41. A few yards away from the same flank is the Nakkar Khana alias DrumHouse which is a intolerable incongruity for Islam. The proximity of the Drum House indicates that the western annex was not originally a mosque. Contrarily a drum house is a neccesity in a Hindu temple or palace because Hindu chores,in the morning and evening, begin to the sweet strains of music.

42. The embossed patterns on the marble exterior of the centotaph chamber wall are foilage of the conch shell design and the Hindu letter OM. The octagonally laid marble lattices inside the centotaph chamber depict pink lotuses on their top railing. The Lotus, the conch and the OM are the sacred motifs associated with the Hindu deities and temples.

43. The spot occupied by Mumtaz’s centotaph was formerly occupied by the Hindu Teja Linga a lithic representation of Lord Shiva. Around it are five perambulatory passages. Perambulation could be done around the marble lattice or through the spacious marble chambers surrounding the centotaph chamber, and in the open over the marble platform. It is also customary for the Hindus to have apertures along the perambulatory passage, overlooking the deity. Such apertures exist in the perambulatories in the Tajmahal.

44. The sanctom sanctorum in the Taj has silver doors and gold railings as Hindu temples have. It also had nets of pearl and gems stuffed in the marble lattices. It was the lure of this wealth which made Shahjahan commandeer the Taj from a helpless vassal Jaisingh, the then ruler of Jaipur.

45. Peter Mundy, a Englishman records (in 1632, within a year of Mumtaz’s death) having seen a gem studded gold railing around her tomb. Had the Taj been under construction for 22 years, a costly gold railing would not have been noticed by Peter mundy within a year of Mumtaz’s death. Such costl fixtures are installed in a building only after it is ready for use. This indicates that Mumtaz’s centotaph was grafted in place of the Shivalinga in the centre of the gold railings. Subsequently the gold railings, silver doors, nets of pearls, gem fillings etc. were all carried away to Shahjahan’s treasury. The seizure of the Taj thus constituted an act of highhanded Moghul robery causing a big row between Shahjahan and Jaisingh.

46. In the marble flooring around Mumtaz’s centotaph may be seen tiny mosaic patches. Those patches indicate the spots where the support for the gold railings were embedded in the floor. They indicate a rectangular fencing.

47. Above Mumtaz’s centotaph hangs a chain by which now hangs a lamp. Before capture by Shahjahan the chain used to hold a water pitcher from which water used to drip on the Shivalinga.

48. It is this earlier Hindu tradition in the Tajmahal which gave the Islamic myth of Shahjahan’s love tear dropping on Mumtaz’s tomb on the full moon day of the winter eve.
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Treasury Well

49. Between the so-called mosque and the drum house is a multistoried octagonal well with a flight of stairs reaching down to the water level. This is a traditional treasury well in Hindu temple palaces. Treasure chests used to be kept in the lower apartments while treasury personnel had their offices in the upper chambers. The circular stairs made it difficult for intruders to reach down to the treasury or to escape with it undetected or unpursued. In case the premises had to be surrendered to a besieging enemy the treasure could be pushed into the well to remain hidden from the conquerer and remain safe for salvaging if the place was reconquered. Such an elaborate multistoried well is superflous for a mere mausoleum. Such a grand, gigantic well is unneccesary for a tomb.
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Burial Date Unknown

50. Had Shahjahan really built the Taj Mahal as a wonder mausoleum, history would have recorded a specific date on which she was ceremoniously buried in the Taj Mahal. No such date is ever mentioned. This important missing detail decisively exposes the falsity of the Tajmahal legend.

51. Even the year of Mumtaz’s death is unknown. It is variously speculated to be 1629, 1630, 1631 or 1632. Had she deserved a fabulous burial, as is claimed, the date of her death had not been a matter of much speculation. In an harem teeming with 5000 women it was difficult to keep track of dates of death. Apparently the date of Mumtaz’s death was so insignificant an event, as not to merit any special notice. Who would then build a Taj for her burial?
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Baseless Love Stories

52. Stories of Shahjahan’s exclusive infatuation for Mumtaz’s are concoctions. They have no basis in history nor has any book ever written on their fancied love affairs. Those stories have been invented as an afterthought to make Shahjahan’s authorship of the Taj look plausible.
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Cost

53. The cost of the Taj is nowhere recorded in Shahjahan’s court papers because Shahjahan never built the Tajmahal. That is why wild estimates of the cost by gullible writers have ranged from 4 million to 91.7 million rupees.
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Period Of Construction

54. Likewise the period of construction has been guessed to be anywhere between 10 years and 22 years. There would have not been any scope for guesswork had the building construction been on record in the court papers.
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Architects

55. The designer of the Tajmahal is also variously mentioned as Essa Effendy, a Persian or Turk, or Ahmed Mehendis or a Frenchman, Austin deBordeaux, or Geronimo Veroneo, an Italian, or Shahjahan himself.
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Records Don’t Exist

56. Twenty thousand labourers are supposed to have worked for 22 years during Shahjahan’s reign in building the Tajmahal. Had this been true, there should have been available in Shahjahan’s court papers design drawings, heaps of labour muster rolls, daily expenditure sheets, bills and receipts of material ordered, and commisioning orders. There is not even a scrap of paper of this kind.

57. It is, therefore, court flatterers, blundering historians, somnolent archeologists, fiction writers, senile poets, careless tourists officials and erring guides who are responsible for hustling the world into believing in Shahjahan’s mythical authorship of the Taj.

58. Description of the gardens around the Taj of Shahjahan’s time mention Ketaki, Jai, Jui, Champa, Maulashree, Harshringar and Bel. All these are plants whose flowers or leaves are used in the worship of Hindu deities. Bel leaves are exclusively used in Lord Shiva’s worship. A graveyard is planted only with shady trees because the idea of using fruit and flower from plants in a cemetary is abhorrent to human conscience. The presence of Bel and other flower plants in the Taj garden is proof of its having been a Shiva temple before seizure by Shahjahan.

59. Hindu temples are often built on river banks and sea beaches. The Taj is one such built on the bank of the Yamuna river an ideal location for a Shiva temple.

60. Prophet Mohammad has ordained that the burial spot of a muslim should be inconspicous and must not be marked by even a single tombstone. In flagrant violation of this, the Tajamhal has one grave in the basement and another in the first floor chamber both ascribed to Mumtaz. Those two centotaphs were infact erected by Shahjahan to bury the two tier Shivalingas that were consecrated in the Taj. It is customary for Hindus to install two Shivalingas one over the other in two stories as may be seen in the Mahankaleshwar temple in Ujjain and the Somnath temple raised by Ahilyabai in Somnath Pattan.

61. The Tajmahal has identical entrance arches on all four sides. This is a typical Hindu building style known as Chaturmukhi, i.e.,four faced.
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The Hindu Dome

62. The Tajmahal has a reverberating dome. Such a dome is an absurdity for a tomb which must ensure peace and silence. Contrarily reverberating domes are a neccesity in Hindu temples because they create an ecstatic dinmultiplying and magnifying the sound of bells, drums and pipes accompanying the worship of Hindu deities.

63. The Tajmahal dome bears a lotus cap. Original Islamic domes have a bald top as is exemplified by the Pakistan Embassy in Chanakyapuri, New Delhi, and the domes in the Pakistan’s newly built capital Islamabad.

64. The Tajmahal entrance faces south. Had the Taj been an Islamic building it should have faced the west.
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Tomb is the Grave, not the Building

65. A widespread misunderstanding has resulted in mistaking the building for the grave.Invading Islam raised graves in captured buildings in every country it overran. Therefore, hereafter people must learn not to confound the building with the grave mounds which are grafts in conquered buildings. This is true of the Tajmahal too. One may therefore admit (for arguments sake) that Mumtaz lies buried inside the Taj. But that should not be construed to mean that the Taj was raised over Mumtaz’s grave.

66. The Taj is a seven storied building. Prince Aurangzeb also mentions this in his letter to Shahjahan (Refer to the Figure 1 above). The marble edifice comprises four stories including the lone, tall circular hall inside the top, and the lone chamber in the basement. In between are two floors each containing 12 to 15 palatial rooms. Below the marble plinth reaching down to the river at the rear are two more stories in red stone. They may be seen from the river bank. The seventh storey must be below the ground (river) level since every ancient Hindu building had a subterranian storey.

67. Immediately bellow the marble plinth on the river flank are 22 rooms in red stone with their ventilators all walled up by Shahjahan. Those rooms, made uninhibitably by Shahjahan, are kept locked by Archealogy Department of India. The lay visitor is kept in the dark about them. Those 22 rooms still bear ancient Hindu paint on their walls and ceilings. On their side is a nearly 33 feet long corridor. There are two door frames one at either end ofthe corridor. But those doors are intriguingly sealed with brick and lime.

68. Apparently those doorways originally sealed by Shahjahan have been since unsealed and again walled up several times. In 1934 a resident of Delhi took a peep inside from an opening in the upper part of the doorway. To his dismay he saw huge hall inside. It contained many statues huddled around a central beheaded image of Lord Shiva. It could be that, in there, are Sanskrit inscriptions too. All the seven stories of the Tajmahal need to be unsealed and scoured to ascertain what evidence they may be hiding in the form of Hindu images, Sanskrit inscriptions, scriptures, coins and utensils.

69. Apart from Hindu images hidden in the sealed stories it is also learnt that Hindu images are also stored in the massive walls of the Taj. Between 1959 and 1962 when Mr. S.R. Rao was the Archealogical Superintendent in Agra, he happened to notice a deep and wide crack in the wall of the central octagonal chamber of the Taj. When a part of the wall was dismantled to study the crack out popped two or three marble images. The matter was hushed up and the images were reburied where they had been embedded at Shahjahan’s behest. Confirmation of this has been obtained from several sources. It was only when I began my investigation into the antecedents of the Taj I came across the above information which had remained a forgotten secret. What better proof is needed of the Temple origin of the Tajmahal? Its walls and sealed chambers still hide in Hindu idols that were consecrated in it before Shahjahan’s seizure of the Taj.
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Pre-Shahjahan References to the Taj

70. Apparently the Taj as a central palace seems to have an chequered history. The Taj was perhaps desecrated and looted by every Muslim invader from Mohammad Ghazni onwards but passing into Hindu hands off and on, the sanctity of the Taj as a Shiva temple continued to be revived after every muslim onslaught. Shahjahan was the last muslim to desecrate the Tajmahal alias Tejomahalay.

71. Vincent Smith records in his book titled `Akbar the Great Moghul’ that `Babur’s turbulent life came to an end in his garden palace in Agra in 1630′. That palace was none other than the Tajmahal.

72. Babur’s daughter Gulbadan Begum in her chronicle titled Humayun Nama refers to the Taj as the Mystic House.

73. Babur himself refers to the Taj in his memoirs as the palace captured by Ibrahim Lodi containing a central octagonal chamber and having pillars on the four sides. All these historical references allude to the Taj 100 years before Shahjahan.

74. The Tajmahal precincts extend to several hundred yards in all directions. Across the river are ruins of the annexes of the Taj, the bathing ghats and a jetty for the ferry boat. In the Victoria gardens outside covered with creepers is the long spur of the ancient outer wall ending in a octagonal red stone tower. Such extensive grounds all magnificently done up, are a superfluity for a grave.

75. Had the Taj been specially built to bury Mumtaz, it should not have been cluttered with other graves. But the Taj premises contain several graves atleast in its eastern and southern pavilions.

76. In the southern flank, on the other side of the Tajganj gate are buried in identical pavilions queens Sarhandi Begum, and Fatehpuri Begum and a maid Satunnisa Khanum. Such parity burial can be justified only if the queens had been demoted or the maid promoted. But since Shahjahan had commandeered (not built) the Taj, he reduced it general to a muslim cemetary as was the habit of all his Islamic predeccssors, and buried a queen in a vacant pavillion and a maid in another idenitcal pavilion.

77. Shahjahan was married to several other women before and after Mumtaz. She, therefore, deserved no special consideration in having a wonder mausoleum built for her.

78. Mumtaz was a commoner by birth and so she did not qualify for a fairyland burial.

79. Mumtaz died in Burhanpur which is about 600 miles from Agra. Her grave there is intact. Therefore, the centotaphs raised in stories of the Taj in her name seem to be fakes hiding in Hindu Shiva emblems.

80. Shahjahan seems to have simulated Mumtaz’s burial in Agra to find a pretext to surround the temple palace with his fierce and fanatic troops and remove all the costly fixtures in his treasury. This finds confirmation in the vague noting in the Badshahnama which says that the Mumtaz’s (exhumed) body was brought to Agra from Burhanpur and buried `next year’. An official term would not use a nebulous term unless it is to hide some thing.

81. A pertinent consideration is that a Shahjahan who did not build any palaces for Mumtaz while she was alive, would not build a fabulous mausoleum for a corpse which was no longer kicking or clicking.

82. Another factor is that Mumtaz died within two or three years of Shahjahan becoming an emperor. Could he amass so much superflous wealth in that short span as to squander it on a wonder mausoleum?

83. While Shahjahan’s special attachment to Mumtaz is nowhere recorded in history his amorous affairs with many other ladies from maids to mannequins including his own daughter Jahanara, find special attention in accounts of Shahjahan’s reign. Would Shahjahan shower his hard earned wealth on Mumtaz’s corpse?

84. Shahjahan was a stingy, usurious monarch. He came to throne murdering all his rivals. He was not therefore, the doting spendthrift that he is made out to be.

85. A Shahjahan disconsolate on Mumtaz’s death is suddenly credited with a resolve to build the Taj. This is a psychological incongruity. Grief is a disabling, incapacitating emotion.

86. A infatuated Shahjahan is supposed to have raised the Taj over the dead Mumtaz, but carnal, physical sexual love is again a incapacitating emotion. A womaniser is ipso facto incapable of any constructive activity. When carnal love becomes uncontrollable the person either murders somebody or commits suicide. He cannot raise a Tajmahal. A building like the Taj invariably originates in an ennobling emotion like devotion to God, to one’s mother and mother country or power and glory.

87. Early in the year 1973, chance digging in the garden in front of the Taj revealed another set of fountains about six feet below the present fountains. This proved two things. Firstly, the subterranean fountains were there before Shahjahan laid the surface fountains. And secondly that those fountains are aligned to the Taj that edifice too is of pre Shahjahan origin. Apparently the garden and its fountains had sunk from annual monsoon flooding and lack of maintenance for centuries during the Islamic rule.

88. The stately rooms on the upper floor of the Tajmahal have been striped of their marble mosaic by Shahjahan to obtain matching marble for raising fake tomb stones inside the Taj premises at several places. Contrasting with the rich finished marble ground floor rooms the striping of the marble mosaic covering the lower half of the walls and flooring of the upper storey have given those rooms a naked, robbed look. Since no visitors are allowed entry to the upper storey this despoilation by Shahjahan has remained a well guarded secret. There is no reason why Shahjahan’s loot of the upper floor marble should continue to be hidden from the public even after 200 years of termination of Moghul rule.

89. Bernier, the French traveller has recorded that no non muslim was allowed entry into the secret nether chambers of the Taj because there are some dazzling fixtures there. Had those been installed by Shahjahan they should have been shown the public as a matter of pride. But since it was commandeered Hindu wealth which Shahjahan wanted to remove to his treasury, he didn’t want the public to know about it.

90. The approach to Taj is dotted with hillocks raised with earth dugout from foundation trenches. The hillocks served as outer defences of the Taj building complex. Raising such hillocks from foundation earth, is a common Hindu device of hoary origin. Nearby Bharatpur provides a graphic parallel. Peter Mundy has recorded that Shahjahan employed thousands of labourers to level some of those hillocks. This is a graphic proof of the Tajmahal existing before Shahjahan.

91. At the backside of the river bank is a Hindu crematorium, several palaces, Shiva temples and bathings of ancient origin. Had Shahjahan built the Tajmahal, he would have destroyed the Hindu features.

92. The story that Shahjahan wanted to build a Black marble Taj across the river, is another motivated myth. The ruins dotting the other side of the river are those of Hindu structures demolished during muslim invasions and not the plinth of another Tajmahal. Shahjahan who did not even build the white Tajmahal would hardly ever think of building a black marble Taj. He was so miserly that he forced labourers to work gratis even in the superficial tampering neccesary to make a Hindu temple serve as a Muslim tomb.

93. The marble that Shahjahan used for grafting Koranic lettering in the Taj is of a pale white shade while the rest of the Taj is built of a marble with rich yellow tint. This disparity is proof of the Koranic extracts being a superimposition.

94. Though imaginative attempts have been made by some historians to foist some fictitious name on history as the designer of the Taj others more imaginative have credited Shajahan himself with superb architechtural proficiency and artistic talent which could easily concieve and plan the Taj even in acute bereavment. Such people betray gross ignorance of history in as much as Shajahan was a cruel tyrant ,a great womaniser and a drug and drink addict.

95. Fanciful accounts about Shahjahan commisioning the Taj are all confused. Some asserted that Shahjahan ordered building drawing from all over the world and chose one from among them. Others assert that a man at hand was ordered to design a mausoleum amd his design was approved. Had any of those versions been true Shahjahan’s court papers should have had thousands of drawings concerning the Taj. But there is not even a single drawing. This is yet another clinching proof that Shahjahan did not commision the Taj.

96. The Tajmahal is surrounded by huge mansions which indicate that several battles have been waged around the Taj several times.

97. At the south east corner of the Taj is an ancient royal cattle house. Cows attached to the Tejomahalay temple used to reared there. A cowshed is an incongruity in an Islamic tomb.

98. Over the western flank of the Taj are several stately red stone annexes. These are superflous for a mausoleum.

99. The entire Taj complex comprises of 400 to 500 rooms. Residential accomodation on such a stupendous scale is unthinkable in a mausoleum.

100. The neighbouring Tajganj township’s massive protective wall also encloses the Tajmahal temple palace complex. This is a clear indication that the Tejomahalay temple palace was part and parcel of the township. A street of that township leads straight into the Tajmahal. The Tajganj gate is aligned in a perfect straight line to the octagonal red stone garden gate and the stately entrance arch of the Tajmahal. The Tajganj gate besides being central to the Taj temple complex, is also put on a pedestal. The western gate by which the visitors enter the Taj complex is a camparatively minor gateway. It has become the entry gate for most visitors today because the railway station and the bus station are on that side.

101. The Tajmahal has pleasure pavillions which a tomb would never have.

102. A tiny mirror glass in a gallery of the Red Fort in Agra reflects the Taj mahal. Shahjahan is said to have spent his last eight years of life as a prisoner in that gallery peering at the reflected Tajmahal and sighing in the name of Mumtaz. This myth is a blend of many falsehoods. Firstly, old Shajahan was held prisoner by his son Aurangzeb in the basement storey in the Fort and not in an open, fashionable upper storey. Secondly, the glass piece was fixed in the 1930′s by Insha Allah Khan, a peon of the archaelogy dept.just to illustrate to the visitors how in ancient times the entire apartment used to scintillate with tiny mirror pieces reflecting the Tejomahalay temple a thousand fold. Thirdly, a old decrepit Shahjahan with pain in his joints and cataract in his eyes, would not spend his day craning his neck at an awkward angle to peer into a tiny glass piece with bedimmed eyesight when he could as well his face around and have full, direct view of the Tjamahal itself. But the general public is so gullible as to gulp all such prattle of wily, unscrupulous guides.

103. That the Tajmahal dome has hundreds of iron rings sticking out of its exterior is a feature rarely noticed. These are made to hold Hindu earthen oil lamps for temple illumination.

104. Those putting implicit faith in Shahjahan authorship of the Taj have been imagining Shahjahan-Mumtaz to be a soft hearted romantic pair like Romeo and Juliet. But contemporary accounts speak of Shahjahan as a hard hearted ruler who was constantly egged on to acts of tyranny and cruelty, by Mumtaz.

105. School and College history carry the myth that Shahjahan reign was a golden period in which there was peace and plenty and that Shahjahan commisioned many buildings and patronized literature. This is pure fabrication. Shahjahan did not commision even a single building as we have illustrated by a detailed analysis of the Tajmahal legend. Shahjahn had to enrage in 48 military campaigns during a reign of nearly 30 years which proves that his was not a era of peace and plenty.

106. The interior of the dome rising over Mumtaz’s centotaph has a representation of Sun and cobras drawn in gold. Hindu warriors trace their origin to the Sun. For an Islamic mausoleum the Sun is redundant. Cobras are always associated with Lord Shiva.
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Forged Documents

107. The muslim caretakers of the tomb in the Tajmahal used to possess a document which they styled as Tarikh-i-Tajmahal. Historian H.G. Keene has branded it as a document of doubtful authenticity. Keene was uncannily right since we have seen that Shahjahan not being the creator of the Tajmahal any document which credits Shahjahn with the Tajmahal, must be an outright forgery. Even that forged document is reported to have been smuggled out of Pakistan. Besides such forged documents there are whole chronicles on the Taj which are pure concoctions.

108. There is lot of sophistry and casuistry or atleast confused thinking associated with the Taj even in the minds of proffesional historians, archaelogists and architects. At the outset they assert that the Taj is entirely Muslim in design. But when it is pointed out that its lotus capped dome and the four corner pillars etc. are all entirely Hindu those worthies shift ground and argue that that was probably because the workmen were Hindu and were to introduce their own patterns. Both these arguments are wrong because Muslim accounts claim the designers to be Muslim, and the workers invariably carry out the employer’s dictates.

The Taj is only a typical illustration of how all historic buildings and townships from Kashmir to Cape Comorin though of Hindu origin have been ascribed to this or that Muslim ruler or courtier.

It is hoped that people the world over who study Indian history will awaken to this new finding and revise their erstwhile beliefs.

Those interested in an indepth study of the above and many other revolutionary rebuttals may read Shri P.N. Oak’s other research books.

——————————————————————————–Tejo Mahal Images ( Pictures ) Link

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